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The KLF - The White Room Album

The KLF - The White Room Album
Performer: The KLF
Genre: Electro
Title: The White Room
MP3 album size: 1529 mb
FLAC album size: 1677 mb
Style: House, Techno, Downtempo
Country: Germany
Released: 1991
Catalog number: INT 845.549
Label: Blow Up

Tracklist


1No More Tears
Bass, Piano – Black Steel
9:24
2What Time Is Love? (LP Mix)
Mixed By – Mark "Spike" StentRecorded By [Additional Recording] – Q Sampler [Breaks] – Lenny DeeSynthesizer [303 Acid Factor] – Major MalfunktionSynthesizer [808 & 909] – Manda BeatmasterVoice [Ooohs] – Cressida , Lindz E. LoveWritten-By, Composed By, Arranged By, Rap – Isaac Bello
4:43
3The White Room5:15
4Last Train To Trancentral (LP Mix)
Rap – Ricardo Lyte
5:33
5Church Of The KLF
Backing Vocals – Katie Kissoon, P.P. Arnold
1:53
6Make It Rain
Tenor Saxophone – Duy Khiem
4:00
7Justified And Ancient
Bass – Black SteelSampler [Break] – Tony Thorpe
4:44
8Build A Fire
Steel Guitar [Pedal] – Evil Graham Lee
4:40
93 A.M. Eternal (Live At The S.S.L.)
Backing Vocals – Ian Richardson, Micky WilsonClarinet – Duy KhiemMixed By – Jeremy Wheatley, Mark "Spike" StentRap – Ricardo LyteSampler [Breaks] – Tony ThorpeVoice – Ashanti
3:36

Versions


CategoryArtistTitle (Format)LabelCategoryCountryYear
JAMS LP006The KLF The White Room ‎(LP, Album)KLF CommunicationsJAMS LP006UK1991
INT 145.549The KLF The White Room ‎(LP, Album)Blow Up, KLF CommunicationsINT 145.549Germany1991
AS-099The KLF The White Room ‎(Cass, Album, Unofficial)ASTAAS-099PolandUnknown
656 674-4The KLF The White Room ‎(Cass, Album)ToCo International656 674-4Brazil1991
656 674-2The KLF The White Room ‎(CD, Album)Indisc656 674-2Belgium1991

Credits


  • Backing VocalsMaxine Harvey (tracks: 5 to 7)
  • DesignPower Unlimited
  • Film Director ['the White Room' Motion Picture]Bill Butt
  • KeyboardsNick Coler (tracks: 2 to 9)
  • Liner NotesR. Lyte
  • Mastered ByAaron Chakraverty
  • Mixed ByJulian Gordon-Hastings (tracks: 2, 4 to 9), The KLF
  • Photography By [Cover]Schoerner
  • Photography By [Sheep]Phil Ward
  • Producer, Performer, Programmed ByThe KLF
  • Programmed By [Additional]Nick Coler
  • Recorded By [Additional Recording]Ian Richardson (tracks: 2 to 9), Julian Gordon-Hastings (tracks: 2 to 9)
  • Sampler [Breaks]Tony Thorpe (tracks: 1, 2, 8)
  • Typography [Typesetting]AVS Ltd
  • VocalsBlack Steel (tracks: 5, 7 to 9), Maxine Harvey (tracks: 2 to 4, 8)
  • Written-By, Composed By, Arranged ByWilliam Drummond, James Cauty

Notes


The White Room produced, performed, programmed for KLF Communications
Original Recordings made at Trancentral

Samples used:
Track 1:
"I Wanna See You Sweat" Wanda D • Tuff City Records
"Kick Out The Jams" The MC5 • Elektra Records
"Mu Mu's" P.P. Arnold, Katie Kisson • KLF Communications
"Thank You, Thank You" Crowd noise - The Doors • Elektra Records

Track 2:
Crowd Noise - U2 'Rattle & Hum' • Island Records
Crowd noise - The Doors 'Absolutely Live' • Elektra Records
"Say Yeah" Steve Wonder • Tamala Motown
"Pump A Little Harder" The Moody Boys • XL Records

Track 3:
"KLF Aha Aha" P.P. Arnold • KLF Communications
"Ancients Of Mu Mu" Chike • KLF Communications
"Ladies And Gentlemen..." Scott Piering • Appearing
Crowd Noise - Haircut 100 Live Recording • Unreleased

Track 4:
Crowd Noise - The Doors 'Absolutely Live' • Elektra Records
Crowd Noise - U2 'Rattle & Hum' • Island Records

Track 5:
Rolling Stock - The KLF 'Chill Out' • KLF Communications
Crowd Noise - The Doors 'Absolutely Live' • Elektra Records
Crowd Noise - U2 'Rattle & Hum' • Island Records

Track 8:
Trumpet Line - King Tubby • Trojan Records

"Justified And Ancient" formely part of 'Hey Hey We Are Not The Monkees'
Additional recording at The Village, Dagenham
Lillie Yard, London
Except 'What Time Is Love' at Matrix, London
Mixed using Automated Solid State Logic and Manual DDA Technology
Mixed at Lillie Yard
Except 'What Time Is Love' mixed at The Townhouse, London
'3 A.M. Eternal' mixed at The Manor, Oxfordshire
The KLF use an Oberheim OB8 synthesizer, an Atari Computer, an Akai S900 sampler, a Gibson 330 Semi-acoustic guitar
Mastered for The Master Room

Isaac Bello appears courtesy of The Outlaw Posse & Gee Street Management
Manda Beatmaster appears courtesy of Rhythm King Records
Ricardo appears courtesy of Tony Hall Management
Tony Thorpe appears courtesy of The Moody Boys
Rockman Rock and King Boy D appeared courtesy of The Justified Ancients Of Mu Mu

All tracks E.G.Music, Zoo/Warner Chappell Music
Except track 1. Side One E.G.Music, Zoo/Warner Chappell Music, MCA Music
Tracks 3. and 5. Side One E.G.Music, Zoo/Warner Chappell Music, Brampton Music

℗ & © 1991 KLF Communications
Marketed by Intercord Ton GmbH
Made in Germany.
An analogue recording

Barcodes


  • Barcode (Text): 4 006758 455495
  • Barcode (String): 4006758455495
  • Matrix / Runout: DURECO [01] CD INT 845549
  • Matrix / Runout (Mould Ring): EGVA CD 0 3
  • Label Code: LC 8076
  • Rights Society: GEMA

Companies


  • Phonographic Copyright (p) – KLF Communications
  • Copyright (c) – KLF Communications
  • Marketed By – Intercord Ton GmbH
  • Recorded At – Trancentral
  • Glass Mastered At – Dureco
  • Pressed By – Egva CD A/S

Video

Album


The White Room is the fourth and final studio album by British electronic music group The KLF, released in March 1991. Originally scheduled for 1989 as the soundtrack to a film of the same name, the album's direction was changed after both the film and the original soundtrack LP were cancelled. Most tracks on the original album version are present in the final release, though in significantly remixed form. This is the North American release of The KLF's The White Room album, released by Arista Records, which included the Stand By The JAMs single. Формируйте собственную коллекцию записей The KLF. The White Room is, to a large extent, The KLF playing safe. Anyone whose introduction to the JAMMS-Disco 2000-Timelords-KLF saga was via the stadium house reworking of What Time Is Love last year, will be ever so pleased with this remarkably strong and cohesive LP. Tim Nicholson, Record Mirror, 2 Mar 1991 Album Of The Week. In essence, The White Room is a neat summation of Drummond and Cautys colourful history it embraces their previous JAMs-related guises while still updating the Kopyright Liberation Fronts corporate identity. Anthony Farthing, Sounds, 2 Mar 1991. In many ways,. Songs in album The KLF - The White Room 1991. The KLF - What Time is Love LP Mix. The KLF - Make It Rain. The KLF - 3 A. Eternal Live at the . The KLF - Church of The KLF. The KLF - Last Train to Trancentral LP Mix. The KLF - Build a Fire. The KLF - The White Room. The KLF - No More Tears. The KLF - Justified and Ancient. Listen free to The KLF The White Room What Time Is Love LP mix, Make It Rain and more. 9 tracks 41:55. Often overlooked as a classic from the acid house era mostly because of the KLF's retirement one year later, The White Room represents the commercial and artistic peak of late-'80s acid-house. Track Listing. The White Room Lyrics. No More Tears Lyrics. Justified and Ancient Lyrics. About The White Room. The White Room Q&A. Featuring The Children Of The Revolution. Producers The KLF. Writers Bill Drummond, Jimmy Cauty & Ricardo Lyte. Engineer Ian Richardson & Julian Gordon-Hastings. Show all albums by The KLF. The KLF. The White Room. About Genius Contributor Guidelines Press Advertise Event Space. As part of BBC Rado 6 Music celebration of the KLF, another chance to hear a programme first broadcast on BBC Radio Scotland in 2011, in which Davie Scott unravels one of music's most fascinating tales, The White Room by the KLF. Bill Drummond - son of a Church of Scotland minister - was almost 40 years old when he decided to create a 'Stadium House' band. He wanted to unite music fans with gigantic anthems. A former top music exec, he understood pop music hype and hyperbole and used that to his advantage. No More Tears. Justified and Ancient - The KLF feat. The production tricks used in The White Room may have been worked to death in the last 20 years, but the album as a whole still sounds interesting. It's hard not to get excited when that deafening hook first appears on What Time Is Love or when the blissed-out chorus of 3 A. Eternal elegantly wafts up over the pounding rhythms
Discussed
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