Who, The - Who's Next Album

Tracklist

1	Going Mobile	3:40
2	Song Is Over Piano – Nicky Hopkins	6:16
3	Behind Blue Eyes	3:40
4	Bargain	5:33
5	Getting In Tune Piano – Nicky Hopkins	4:49
6	My Wife Composed By – John EntwistlePiano – John Entwistle	3:35
7	Love Ain't For Keeping	2:11
8	Won't Get Fooled Again	8:31
9	Baba O' Riley Piano – Pete TownshendProducer [Violin] – Keith MoonViolin – Dave Arbus	4:59

Credits

• Bass, Brass, Vocals – John Entwistle
• Composed By – Pete Townshend (tracks: A1 to A3, A5 to B4)
• Design – John Kosh
• Drums, Percussion – Keith Moon
• Executive-Producer – Chris Stamp, Kit Lambert, Pete Kameron
• Guitar, Organ [Vcs3], Synthesizer [A.r.p.], Vocals – Pete Townshend
• Photography By – Ethan A. Russell
• Producer – Who, The
• Producer [Associate] – Glyn Johns
• Recorded By, Mixed By – Glyn Johns
• Vocals – Roger Daltrey

Notes

Recorded and mixed at Olympic Studios, London
B4 recorded at Stargroves and mixed at Island Studios, London.

Published by Fabulous Music, except B4 published by Wistle Rhymes.

Marketed by Polydor.

Sleeve printed and made by MacNeill Press Ltd., London, S.E.1.
Made in Gt.Britain.

Category on labels: 2408 102
Category on spine: Deluxe 2408 102
Category on back cover: 2408 102 Deluxe

Barcodes

• Matrix / Runout (Runout Groove Side A): 2408102 A//1 12 24 MG-12888
• Matrix / Runout (Runout Groove Side B): 2408102 B//2 420 12 29 04
• Matrix / Runout (VARIATION 2 Runout Groove Side A): 2408102 A//1 12 23 MG-12888
• Matrix / Runout (VARIATION 2 Runout Groove Side B): 2408102 B//2 ▽ 420 12 26

Companies

• Record Company – Polydor Records Ltd.
• Marketed By – Polydor
• Printed By – MacNeill Press Ltd.
• Published By – Fabulous Music
• Published By – Wistle Rhymes
• Recorded At – Olympic Studios
• Recorded At – Stargroves
• Mixed At – Olympic Studios
• Mixed At – Island Studios
• Pressed By – Phonodisc Ltd.

Album

Who's Next is the fifth studio album by English rock band the Who. It developed from the aborted Lifehouse project, a multi-media rock opera written by the group's Pete Townshend as a follow-up to the band's 1969 album Tommy. The project was cancelled owing to its complexity and to conflicts with Kit Lambert, the band's manager, but the group salvaged some of the songs, without the connecting story elements, to release as their next album. Eight of the nine songs on Who's Next were from Lifehouse, the. Who's Next - The Who. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Формируйте собственную коллекцию записей The Who. CORRECT 'day of release' first press inners will have an '0871' date code on the 'plastic bags' plain white 'poly-lined' inner sleeve see Who's Next. Whos Next, regardless of what you may have been led to believe to the contrary, is neither the soundtrack to the realization of Pete Townshends apparently-aborted Hollywood dream, the greatest live album in the history of the universe, nor a, shudder, rock opera, but rather an old fashioned long-player containing intelligently-conceived, superbly-performed, brilliantly-produced, and sometimes even. If, instead of a Heavy-loving barbiturated kid who discovered in the wake of all the jumpin and jivin that accompanied the release of their last two albums that the Who resemble Led Zeppelin and so on on a gross aural level and must. Much of Who's Next derives from Lifehouse, an ambitious sci-fi rock opera Pete Townshend abandoned after suffering a nervous breakdown, caused in part from working on the sequel to Tommy. There's no discernable theme behind these songs, yet this album is stronger than Tommy, falling just behind Who Sell Out as the finest record the Who ever cut. Townshend developed an infatuation with synthesizers during the recording of the album, and they're all over this album, adding texture where needed and amplifying the force, which is already at a fever pitch. Whos Next started life as a Pete Townshend concept entitled Lifehouse, which contained enough songs for a double album, but the project was eventually reduced to a single LP. Recordings for the album began in New York with Kit Lambert as producer, but the band werent satisfied with the results and returned to London to re-record them at Olympic Studios in Barnes with Glyn Johns. Most of the songs recorded with Johns appeared on Whos Next while the leftovers appeared on singles and later, Odds & Sods see album. Whos Next became the only Who album to make 1 in the UK charts. It peaked. Who's Next is the fifth studio album by English rock band The Who, released in August 1971. The album has origins in a rock opera conceived by Pete Townshend called Lifehouse. The ambitious, complex project did not come to fruition at the time and instead, many of the songs written for the project were compiled onto Who's Next as a collection of unrelated songs. The ambitious, complex project did not come to. Whos Next is the fifth studio album by English rock band The Who released on August 25, 1971. Regarded as one of the best rock albums of all time, Whos Nexts legacy lives on through its innovative combination of hard rock, progressive rock, and art rock, as well as its influential use of synthesizers. Whos Next Q&A. are the words Who's Next sang in any of the songs on Who's Next. Theyre sung on the song You Better You Bet, which came later, in reference to the album. what does who's next mean what is it trying to connote One possible explanation is that this is. A hard rock classic, Who's Next is required listening for rock fans of all ages. Genevieve Williams. Go Unlimited. Exclusive discount for Prime members. Sample this album Artist Sample. I never thought I'd describe The Who as dull, but this vinyl version of a classic album sounds as though Keith Moon was playing under a duvet The drums are so lifeless, and the rest of the band too sound muffled. Had to return this album and try to find a non remastered version. Anyway, the band had virtually finished Whos Next, but still didnt have a clue about what to do about the cover. It was at this point that fate smiled benevolently. We were driving back through from a gig one night, doing about 110 miles per hour down the motorway which freaked me out. Russell is the only man to have worked on covers for the Brit big three: The Who, The Rolling Stones Through The Past Darkly and The Beatles Let It Be. Classic Rock Newsletter