Volumes Of Madness - Four More Years Album

Tracklist

1	Four More Years	4:25
2	Jihad For You	3:00

Credits

• Engineer – David Scott Smith
• Mastered By – JE
• Photography By [Cover Photo] – CCAM Productions
• Written-By, Performer, Producer – Volumes Of Madness

Notes

Recorded at Studio 102 in Ardmore, PA on Oct. 9, 1988.
(C)(P)1988 Volumes Of Madness
Printed on the record is the matrix number "NR 17730-1" and "NR 17730-2".

Barcodes

• Matrix / Runout (A-Side Label): NR 17730-1
• Matrix / Runout (B-Side Label): NR 17730-2
• Matrix / Runout (A-Side Runout Etching): NR 17730-A JE
• Matrix / Runout (B-Side Runout Etching): NR 17730-B JE

Companies

• Recorded At – Studio 102, Ardmore, PA
• Copyright (c) – Volumes Of Madness
• Phonographic Copyright (p) – Volumes Of Madness
• Pressed By – Nashville Record Productions – NR 17730

Album

Four More Years is a 1972 documentary covering the 1972 Republican National Convention produced by Top Value Television. The title of the film refers to Richard Nixon's re-election slogan. The convention named Nixon as the Presidential nominee and Spiro Agnew as the nominee for Vice President. All filming takes place on the site of the convention center in Miami Beach, Florida. It was TVTV's second production, after The World's Largest TV Studio 1972, which covered the Democratic Convention one. This is a movement like we've never seen in the history of our country. I will continue to keep my promises to the American people. FOUR MORE YEARS. When the eccentric cast of a mid-90s Public Access show in Detroit reunite after 20 years to make a new episode, they are forced to take a hard look at their lives and reconcile their. See full summary . WFMU is happy to be the official host for the final two volumes of CD releases from the American Song Poem Music Archives. Prepared for release back in the late 1990s, for various reasons these two albums have been sitting on curator Phil Milstein's shelf. until now. I Like Yellow Things - MSR Madness Volume Five: Right-click on the song title to download the MP3s. Notes by Phil Milstein. Every bit as surreal yet far more prolific, we are thrilled to finally put Wilson on the map with this lovely number about Pastels from Alaska, Imported as the igloo in review. At last report Wilson was still at it, submitting multipage song-poem manifestos on a weekly basis. The albums magic reveals itself on multiple listenings, in exploring the works threads like currents in a stream. However, a single listen will suffice to leave most spellbound. A History of Madness presents a further maturation of the bands sound. Its warm, organic sound is due in part to the inclusion of acoustic instruments in the mix, which is also interwoven with electronic sounds and samples. Madness 4 Real. 10 June at 22:28 . Tak Deland, Anjela, . Thomas-Dietrich Glöde . 26 April . Zapp 4 life. 17 April . Så er det nu vi skal ud og nyde den spirende sol i en fed øse, mens vi hører. The Sound of Madness is the third studio album by American rock band Shinedown, released June 24, 2008. The album's lead single, Devour, was released to radio on May 5, 2008. It is the first album to feature Eric Bass and Zach Myers and the only album to feature Nick Perri and the band as a five piece. The album's lyrics explore diverse subject matter as opposed to their previous albums Devour ventures into political territory while What a Shame tells a story about lead singer Brent Smith's. Album: Sensitive. Added on: Mar 18th, 2020 by Fashionably Early. Read more from the blog. Four More Years EP. Arcade Sound. Daze's debut EP, Four More Years, whirls right into its title track, its big spluttery drums and many moving parts not far from Ernest Greene's work as Washed Out- until a giant synth, part ELP, part Black Moth Super Rainbow, splits the song open down the middle. It feels brash, towering over the relatively lax backing track, but with so much so-called chillwave finds a gentle groove and sticks with it, but throughout Four More Years, Teen Daze find ways to slip these daringly germane little asides into the tunes, rescuing them from complacency