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Various - The Godfather's R&B (James Brown Productions 1962-67) Album

Various - The Godfather's R&B (James Brown Productions 1962-67) Album
Performer: Various
Genre: Funk
Title: The Godfather's R&B (James Brown Productions 1962-67)
MP3 album size: 2735 mb
FLAC album size: 1607 mb
Style: Rhythm & Blues, Soul, Funk
Country: UK
Released: 30 Jun 2008
Catalog number: CDBGPD 194
Label: BGP Records

Tracklist


1Bobby ByrdI Found Out
Vocals [Vo] – Bobby ByrdWritten-By – Bobby Byrd, James Brown, Johnny Terry
2:30
2Tammy MontgomeryI Cried
Backing Vocals [Bvo, Possibly] – Bill Hollings, John TerryBass [B, Probably] – Bernard OdumDrums [Dm, Probably] – Nat KendrickPiano [P, Probably] – Bobby ByrdVocals [Vo] – Tammy MontgomeryWritten-By – Bobby Byrd, James Brown
2:44
3Yvonne Fair & The James Brown BandIt Hurts To Be In Love
Trombone [Tb] – Unknown ArtistTrumpet [Tp] – Unknown ArtistVocals [Vo] – Yvonne FairWritten-By – Julius Dixon, Rudolph Toombs
2:28
4Bobby ByrdI'll Keep Pressing On
Bass [Electric, Possibly] – Bernard OdumDrums [Dm, Possibly] – Clyde Stubblefield, John StarksGuitar [G, Possibly] – Alfonzo Kellum, Jimmy NolenSaxophone [Alto, As, Possibly] – Nat JonesSaxophone [Bass, Bs, Possibly] – St Clair PinckneySaxophone [Tenor, Ts, Possibly] – Alfred Ellis, Eldee WilliamsTrombone [Tb, Possibly] – Levi RasburyTrumpet [Tp, Possibly] – Joe Dupars, Waymon ReedVocals [Vo] – Bobby ByrdWritten-By – James Brown, Nat Jones
3:32
5Dizzy JonesUnexplainable
Bass [B, Possibly] – Bernard Odum, Sam ThomasDrums [Dm, Possibly] – Melvin Parker, Nat Kendrick, Obie WilliamsVocals [Vo] – Dizzy JonesWritten-By – Mac Johnson, Ted Wright
2:47
6James BrownNew Breed (The Boo-Ga-Loo) Part1
Bass [Electric, El B, Possibly] – Bernard Odum, Sam ThomasDrums [Dm, Probably] – Melvin ParkerPiano [P, Possibly] – Bobby Byrd, Fats GonderSaxophone [Alto, As, Probably] – Nat JonesSaxophone [Bass, Bs, Probably] – Maceo ParkerSaxophone [Tenor, Ts, Probably] – Eldee Williams, St Clair PinckneyVocals [Vo] – Anna KingWritten-By – James Brown, Nat Jones
2:37
7Al "Brisco" Clark & His OrchestraSoul Food Parts 1 & 2
Bass [B, Probably] – Bernard OdumWritten-By – Ted Wright
4:06
8Elsie MaeDo You Really Want To Rescue Me Part 1
Bass [B, Possibly] – Alfonzo Kellum, Bernard OdumDrums [D, Possibly] – Jimmy Robinson, Obie WilliamsVocals [Vo] – Elsie Mae, Grace Ruffin, Martha Harvin, Sandra Bears, The JewelsWritten-By – James Brown, Nat Jones
2:32
9Vicki AndersonNobody Cares
Bass [B, Probably] – Bernard OdumDrums [Dm, Possibly] – Melvin Parker, Nat KendrickTrombone [Tb] – Unknown ArtistVocals [Vo] – Vicki AndersonWritten-By – James Brown
2:52
10Anna KingThat's When I Cry
Bass [B, Possibly] – Alfonzo Kellum, Bernard OdumOrgan [Org, Possibly] – Bobby Byrd, Nat JonesVocals [Vo] – Anna KingWritten-By – John Terry, Ted Wright
2:17
11Dizzy JonesI Don't Care
Bass [B, Probably] – Bernard OdumDrums [Dm, Possibly] – Melvin Parker, Nat KendrickTrombone – Unknown ArtistVocals [Vo] – Dizzy JonesWritten-By – Davy Jones, Ted Wright
2:21
12James CrawfordGot No Excuse
Bass [B, Probably] – Bernard OdumDrums [D, Possibly] – Clyde Stubblefield, Melvin Parker, Obbie WilliamsTrombone [Tb] – Unknown ArtistVocals [Vo] – James CrawfordWritten-By – Nat Jones
2:14
13Yvonne FairI Found You
Trumpet [Tp, Probably] – Teddy WashingtonVocals [Vo] – Yvonne FairWritten-By – James Brown
2:25
14Bobby ByrdI'm Lonley
Drums [Dm, Possibly] – Bobby Williams, Melvin ParkerVocals [Vo] – Bobby ByrdWritten-By – Bobby Byrd, Ted Wright
2:39
15James CrawfordIf You Don't Work You Can't Eat
Vocals [Vo] – James CrawfordWritten-By – James Brown, Waymon Reed
2:27
16The Poets Devil's Den Part 1
Bass [B, Possibly] – Bernard Odum, Hubert Lee PerryDrums [Dm, Probably] – Clayton FillyauTrumpet [Tp, Possibly] – Lewis Hamlin, Teddy WashingtonVocals [Vo] – James BrownWritten-By – Ted Wright
2:35
17Anna KingIf You Don't Think
Vocals [Vo] – Anna KingWritten-By – James Brown
1:54
18The JewelsLookie Lookie Lookie
Bass [Electric, El B, Possibly] – Bernard OdumDrums [Dm, Possibly] – Clyde Stubblefield, John StarksGuitar [G, Possibly] – Alfonzo Kellum, Jimmy NolenSaxophone [Altom As, Possibly] – Nat JonesSaxophone [Bass, Bs, Possibly] – St Clair PinckneySaxophone [Tenor, Ts, Possibly] – Alfred Ellis, Eldee WilliamsTrombone [Tb, Possibly] – Levi RasburyTrumpet [Tp, Possibly] – Joe Dupars, Waymon ReedVocals [Vo] – Grace Ruffin, Martha Harvin, Sandra Bears, The JewelsWritten-By – Nickolas Ashford, Valerie Simpson, Josephine Armstead
1:53
19James CrawfordHelp Poor Me
Bass [B, Possibly] – Bernard Odum, Sam ThomasDrums [Dm, Possibly] – Melvin Parker, Nat Kendrick, Obie WilliamsVocals [Vo] – James CrawfordWritten-By – Davy Jones, James Crawford
2:00
20Vicki AndersonWide Awake In A Dream
Vocals [Vo] – Vicki AndersonWritten-By – Lloyd Campbell , Phillip James
2:45
21The Five RoyalesFaith
Bass [B, Possibly] – Bernard Odum, Sam ThomasDrums [Dm, Possibly] – Melvin Parker, Nat Kendrick, Obie WilliamsLead Vocals [Lead Vo] – Eudell RobinsonVocals [Vo] – Dizzy Jones, Eugene Tanner, Lowman Pauling, Obadiah CarterWritten-By – Lowman Pauling, Ted Wright
3:02
22Rev WillinghamThat's The Spirit
Vocals [Vo] – Reverend Willingham, The Swanee QuintetWritten-By – James Brown, Nat Jones
2:50

Credits


  • Arranged By [Arr]Gene Redd (tracks: 8), Nat Jones (tracks: 10, 15), Sammy Lowe (tracks: 6, 7)
  • Artwork By [Package Design] – The-Unknown.co.uk
  • Backing Vocals [Bvo]Bobby Byrd (tracks: 22), James Brown (tracks: 22)
  • Bass [B]Bernard Odum (tracks: 9), Hubert Lee Perry (tracks: 12, 18), Jimmy Nolen (tracks: 9)
  • Bass [Electric, El B]Bernard Odum (tracks: 2), Sam Thomas (tracks: 2)
  • Compiled By, Liner NotesDean Rudland
  • Conductor [Cond]Sammy Lowe (tracks: 7)
  • Drums [Dm]Clayton Fillyau (tracks: 12, 18), Jimmie Robinson (tracks: 8), John "Jabo" Starks (tracks: 9), Nat Kendrick (tracks: 19), David "Panama" Francis (tracks: 20)
  • Flute [Fl]St Clair Pinckney (tracks: 22)
  • Guitar [G]Alphonso Kellum (tracks: 1, 3, 16), Billy Butler (tracks: 20), Jimmy Nolen (tracks: 1, 3, 4, 8, 9, 16), Les Buie (tracks: 2, 10 to 12, 14, 15, 18, 19), Robert "Pee Wee" Burris (tracks: 15), Wally Richardson (tracks: 20)
  • Mastered ByDuncan Cowell
  • Organ [Org]Ernie Hayes (tracks: 20), James Brown (tracks: 1 to 3, 9 to 11, 15, 16, 19), Nat Jones (tracks: 1, 3, 16)
  • Piano [P]James Brown (tracks: 4, 10, 12, 14, 15, 18)
  • ProducerJames Brown
  • Saxophone [Alto, As]Nat Jones (tracks: 1 to 4, 9, 10, 14 to 16)
  • Saxophone [Bass, B]Heywood Henry (tracks: 20)
  • Saxophone [Bass, Bs]Al "Brisco" Clark (tracks: 11, 19), Charles Carr (tracks: 3, 4, 9), Maceo Parker (tracks: 1, 2, 10, 14 to 16)
  • Saxophone [Tenor, Ts]Brisco Clarke (tracks: 1, 2, 10, 14 to 16, 18), Alfred Ellis (tracks: 5), Clifford "Ace King" McMillan (tracks: 3, 4, 11, 19), Eldee Williams (tracks: 1 to 4, 9, 10, 12, 14 to 16), Maceo Parker (tracks: 1, 2, 14, 16), St Clair Pinckney (tracks: 1 to 4, 9 to 12, 14 to 16, 18, 19)
  • Technician [Audio Restoration]Rob Shread
  • Trombone [Tb]Wilmer Milton (tracks: 2, 10, 15)
  • Trumpet [Tp]Joe Dupars (tracks: 1 to 4, 8 to 10, 14 to 16), Levi Rasbury (tracks: 1, 3, 14, 16), Lewis Hamlin (tracks: 19), McKinley "Mack" Johnson (tracks: 2, 10, 15), Robert Knight (tracks: 2, 10, 15), Ronald Lee Harper (tracks: 4, 8, 9), Ron Tooley (tracks: 1 to 3, 10, 14 to 16), Teddy Washington (tracks: 3, 12, 19), Waymon Reed (tracks: 4, 8, 9)
  • Valve Trombone [Tb]Levi Rasbury (tracks: 4, 9)

Notes


"Between 1960 and 1967 James Brown honed his live revue to become the best ticket in town. James recorded both his band and his singers on some of the finest proto funk R&B records ever. Here are the best of those recordings on one CD for the first time."

Standard Jewel Case.
Includes 16 page insert booklet with liner notes for each track, scans of the original 45s and photography.

Insert incorrectly credits Vicki Anderson with vocals on track 6. Main track-listing shows artist as Anna King. Correct credit used below.

Mastering and Audio Restoration at Sound Mastering Ltd.

Track 18 I Found You is an early version of the track that went on to become the James Brown classic I Got You (I Feel Good).

Original Releases / Session Details:

Track 1: Blue Rock 4024 || Recorded at Criteria Studios, Miami, Florida, 8 April 1965.
Track 2: Smash 1928 || Recorded in Chicago, Illinois, May 1965.
Track 3: Blue Rock 4033 || Probably recorded at Criteria Studios, Miami, Florida, August or September 1965.
Track 4: King 6022 || Recorded at Arthur Smith Studios, Charlottle, North Carolina, 26 Jan 1966.
Track 5: King 6068 || Recorded at King Studios, Cincinnati, Ohio, c. late 1966.
Track 6: Mercury 72441 || Recorded at Bell Studios, New York, 28 April 1965.
Track 7: Smash 2028 || Recorded at Bell Studios, New York, 9 September 1964.
Track 8: Smash 1970 || Recorded at Criteria Studios, Miami, Florida, 17 April 1965 and at King Studios, Cincinnati, 4 May 1966.
Track 9: Federal 12543 || Recorded at Criteria Studios, Miami, Florida, 7 February 1966.
Track 10: Blue Rock 4009 || Recorded at Criteria Studios, Miami, Florida, August 1964.
Track 11: "Try Me" 28006 || Probably recorded at King Studios, Cincinnati, Ohio, April 1963.
Track 12: King 5687 || Recorded at King Studios, Cincinnati, 30 July 1962.
Track 13: Federal 12542 / Crescent 5180 || Probably recorded at King Studios, Cincinnati, Ohio, 1966.
Track 14: Mercury 72393 || Recorded in Washington, DC, 4 December 1964.
Track 15: Smash 1963 || Recorded at Criteria Studios Miami, Florida, August 1963.
Track 16: Smash 1985 || Recorded at Criteria Studios Miami, Florida, 8 April 1965.
Track 17: King 6069 || Recorded at King Studios, Cincinnati, c. Late April 1966.
Track 18: King 5594 || Recorded at Dukoff Studio, Miami, Florida, 8 January 1962.
Track 19: "Try Me" 28007 / Fontana 1909 || Recorded at King Studios, Cincinnati, May 1963.
Vocal overdub recorded May 1964.
Track 20: Smash 1904 || Recorded at Bell Sound Studio, New York, 18 January 1964.
Track 21: Federal 12486 || Recorded at King Studios, Cincinnati, 8 March 1963.
Track 22: "Try Me" 28001 || Recorded at King Studios, Cincinnati, February 1963.

The copyrights in these sound recordings are owned by by Polydor Int. Licensed from Universal Licensing Division, a division of Universal Music Operations Ltd and are licensed to Ace Records Ltd. © Polydor Int. Licensed from Universal Licensing Division, a division of Universal Music Operations Ltd.
BGP Records marketed and distributed by Ace Records Ltd.
This compilation ℗ 2008 Ace Records Ltd.
© 2008 Ace Records Ltd.
Made in the EU.

Tracks 1, 8 & 10 Fort Knox Music Inc/Trio Music Co Inc/Freddie Bienstock Music Co.
Tracks 2, 14 & 21 Fort Knox Music Inc/Trio Music Co Inc.
Track 3 Toccoa Industries Inc.
Tracks 4 & 7 Warner Chappell Music Ltd.
Track 5 Universal Music Pub MGB.
Tracks 6 & 13 Intersong Music Ltd.
Track 9 Creole Music Ltd.
Tracks 11 & 19 Freddie Bienstock Music Co.
Tracks 12, 15, 18, 20 & 22 Lark Music Ltd.
Tracks 16 & 17 Dynatone Pub Co.

Barcodes


  • Barcode: 0 29667 51942 7
  • Label Code: LC 05502
  • Rights Society: MCPS
  • Matrix / Runout: SOUND PERFORMANCE [Logo x2] CDBGPD194 01 IFPI L136 IFPI 04BF

Companies


  • Phonographic Copyright (p) – Polydor International Ltd.
  • Phonographic Copyright (p) – Ace Records Ltd.
  • Copyright (c) – Ace Records Ltd.
  • Licensed From – Universal Licensing Division
  • Mastered At – Sound Mastering
  • Designed At – the-unknown.co.uk
  • Marketed By – Ace
  • Distributed By – Ace

Album


As prolific a recording artist as James Brown was in the 1960s, and as busy a touring machine as the one he led on the road was, he somehow found time to produce and work on numerous discs by other artists. With many of the late James Brown's most famous recordings rendered almost unlistenable through overfamiliarity, the chance to check out his work producing other artists should provide access to undiscovered , it looks like we dont know much about this album. Can you help us out Add artwork. Start the wiki. Tag this album. Do you have the artwork for this album Add artwork. by Various Artists. Released: June 30, is no higher force in the world of funk than James Brown, the Godfather of Soul. He has been anthologised, compiled, sampled and, of course, danced to for over 40 years. Nevertheless, he recorded so much that there are corners of his immense catalogue that havent been investigated. It is our intense pleasure at BGP to be able to shine a light onto Browns mid-60s productions on The Godfathers R&B. These are every bit as good as his later, more famous, funk productions. Introducing CD 'Godfathers R&B: James Brown's Productions 1962-1967' by Various. BGP UK 1513 Funk, Rare Groove22TRACKS: 1 Dizzy Jones - I DON'T CARE 2 Bobby Byrd - I'M. Bobby Byrd - I'M LONELY. James Crawford - GOT NO EXCUSE. Elsie Mae - DO YOU REALLY WANT TO RESCUE ME PART 1. Release group by Various Artists. The Godfather's R&B: James Brown Productions 1962-67. Features Song Lyrics for Yvonne Fair's The Godfather's R&B: James Brown Productions 1962-67 album. Yvonne Fair - The Godfather's R&B: James Brown Productions 1962-67 Album. Artist: Yvonne Fair. Album: The Godfather's R&B: James Brown Productions 1962-67. No songs for The Godfather's R&B: James Brown Productions 1962-67 yet. embed . Get the embed code
Scream_I LOVE YOU
This really is a cracking compilation that I stumbled across whilst looking for one of the "James Brown's Funky People" compilations.

But do not expect another set of that oh so familiar James Brown / People Record sound we all know and love.

Instead this is right back down to the roots of that sound - at its earliest stage of development. Far from being full on funk sound this is, as the sleeve says, "Proto Funk" - a wonderful description. Many tracks could be classed of as soul tracks with funk leanings - from a time when funk did not really know what it was yet. This feels like is comes from Brown (and band) personalising soul music and (accidentally?) ending up with the beginnings of funk. The effect is like listening to the original blue-prints for the Brown sound - suddenly a familiar hook, groove or lyric pops up but in it rawest, undeveloped form, giving you that "ahhh, that ending up being in X" sense of recognition.

But beyond being an interesting historical document of the Brown sound this also a collection of fantastic tracks. Generally upbeat with a selection of class vocalists the collection is wonderfully funky and soulful tracks with a real slant towards the dancefloor.

I would say that this is an absolute must for any James Brown collector but also a genuine treasure for any funk/soul/Northern Soul fan.
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