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Tilt - Explorer Album

Tilt - Explorer Album
Performer: Tilt
Genre: Electro
Title: Explorer
MP3 album size: 1069 mb
FLAC album size: 2735 mb
Style: Progressive Trance
Country: UK
Released: 24 Jan 2005
Catalog number: LOSTCDLP03
Label: Lost Language

Tracklist


1Tokyo Breaks (Breaks Mix)7:01
2Control Me
Vocals – Lianne Brookson
8:15
3The World Doesn't Know (Edit)8:31
4Explorer
Vocals – Lianne Brookson
3:18
5Antivalentine3:45
6Twelve
Vocals – Laura Scott
9:27
7Electronic Poledancer8:55
8New Day
Vocals – Lianne Brookson
5:13
9Goodbye (Edit)8:30
10Venus In Transit4:48
11Crescendo4:08

Versions


CategoryArtistTitle (Format)LabelCategoryCountryYear
HN255CDTilt Explorer ‎(CD, Album)High Note RecordsHN255CDTaiwan2005
LOSTLP003Tilt Explorer ‎(3x12", Album)Lost Language, Tirade RecordsLOSTLP003UK2005
LOSTCDLP03SAM2Tilt Explorer (Sampler) ‎(CD, Ltd, Promo, Smplr)Lost LanguageLOSTCDLP03SAM2UK2004
LOSTCDLP004Tilt Explorer ‎(CDr, Album, Promo)Lost LanguageLOSTCDLP004UK2005
LOSTCDLP03PTilt Explorer ‎(CD, Album, Promo)Lost LanguageLOSTCDLP03P2005

Credits


  • EngineerA. Moor
  • Lyrics ByM. Park (tracks: 8, 10)
  • Mastered ByAndy Thompson
  • Written-ByA. Moor, M. Park (tracks: 1 to 4, 6 to 11), M. Wilson (tracks: 5, 9)

Notes


M. Park and M. Wilson are published by Safehouse/Bucks Music

Mastered at Sound Performance

Recorded at Spectre Studios and RIP in Stoke on Trent, Staffs, UK

"Control Me" licensed from: Pangea Records

(c) 2004 Lost Language Recordings
(p) 2004 Lost Language Recordings
Licensed from Tirade Records

Barcodes


  • Barcode: 8 81824 03532 0
  • Matrix / Runout: [Lynic logo] LOSTCDLP03 SP 64160 01
  • Mastering SID Code: IFPI LV81
  • Mould SID Code: IFPI KA07

Companies


  • Mastered At – Sound Performance
  • Phonographic Copyright (p) – Lost Language Recordings
  • Copyright (c) – Lost Language Recordings
  • Licensed From – Tirade Records
  • Pressed By – Lynic

Video

Album


Explorer is a progressive trance album from producer trio Tilt. This is Tilt's first full album of work after over ten years of music production. Venus In Transit 4:48. Electronic Poledancer 8:55. Control Me feat. Lianne Brookson 8:15. Tokyo Breaks Breaks Mix feat. Laura Scott 7:01. Twelve 9:27. Explorer feat. Lianne Brookson 3:18. Antivalentine 3:45. New Day feat. Lianne Brookson 5:13. Songs in album Tilt - Explorer 2005. Tilt - Venus In Transit. Tilt - Electronic Poledancer. Tilt - Control Me. Tilt - Tokyo Breaks Breaks Mix. Tilt - Twelve. Tilt - Explorer. Tilt - Antivalentine. Explorer is a track by Tilt UK from the album Explorer released in 2005. Your Rating. Overview . The Explorer is the second studio album of Swedish singer-songwriter E-Type which was released on 25 October 1996. It contains hit songs Calling Your Name, Back in the Loop and I Just Wanna Be with You. Calling Your Name peaked 17 US Billboard Dance Club Songs Chart. The Explorer E-type. performed by Hallelujah Choir and Jan Nygren. Calling Your Name feat. Na Na E-typeMud. chorus vocals by Nana Hedin and Jessica Folcker. Back in the Loop feat. Explorer, 2005. The World Doesn't Know, 09:03. Goodbye, 08:31. Electronic Poledancer, 08:55. Control Me, 08:15. Explorer, 03:19. Track listing. Listen full album. View all Tilt albums. 11 tracks. Released in 2005. Other Tilt albums: Vaults. Tilt 10 tracks Released in 2006 Electronic. Tilt's debut artist album functions more as a collection of individual tracks, than as a cohesive album. Known for their deep progressive trancehouse hits, here Tilt explores no pun intended different genres including breaks, ambient, and vocal pop. Results are mixed. Where Venus In Transit succeeds in it's subtle beauty, New Day might disappoint with it's syrupy sweet vocal p. Read the Explorer wiki, detailing its background, how it features in Tilt's career, and its style. Listen to Explorer online and get recommendations on similar music. We don't have a wiki for this album. Do you know any background info about this album Start the wiki. Don't want to see ads
Lightseeker
I wasn't sure what to expect from the Tilt lads after their exploration into just about every dark and dingy subgenre of electronica. Starting with the immortal 'The World Doesn't Know' which still sounds fresh, this cd is packed with hits, underground stompers, breaks and brilliant downtempo. However i wanted to point out the lost gem in my opinion 'Crescendo'. Thsi track blew me away when i first heard it, and I play it at the end of my sets all the time - so moody and deep!. I would buy the cd just for the first and last tracks alone. The other tracks are good too, with classics like 'twelve', 'explorer' and 'new day'.

8/10
Mavegelv
Although half of the real floor stompers on this album (World doesn't know, Twelve) are not knew, it is well worth having in the ol' collection. What I think is the real virtue of the recording is the inside look at how much talent this trio are actually wielding; the vocal tracks, with acoustic guitar even, are a real treat... though they are really not of much use to DJ's in their current form (I'm hoping for some great remixes). All in all this album does not disappoint--buy it!!
Anen
Tilt's debut artist album functions more as a collection of individual tracks, than as a cohesive album. And while this isn't necessarily a bad thing, somehow you expected more from Tilt, the trance masters that gave us perennial classics like "I Dream" ten years ago. Known for their deep progressive trance/house hits, here Tilt explores (no pun intended) different genres including breaks, ambient, and vocal pop. Results are mixed. Where "Venus In Transit" succeeds in it's subtle beauty, "New Day" might disappoint with it's syrupy sweet vocal pop. The few more-or-less traditional trance/house songs included here are phenomenal. Last year's hypnotically gorgeous "The World Doesn't Know" is used as the opener (slightly edited for the album release), and so is the thunderous "Twelve". These two tracks alone are worth the price of the album alone (if you don't have them already of course). But all of these different styled tracks mixed together doesn't make for a cohesive album listening experience. Listen to the first two tracks, and then the last two tracks, and you'll swear your listening to two different artists. This really isn't that big of a deal considering most people don't listen to albums beginning to end every time anyway (hardcore electronic music fans aside of course), the average quality of the majority of the tracks here only equates to roughly slightly better than mediocre. Overall, not bad music, but not especially great either.
Discussed
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