The Mars Volta - Frances The Mute Album

Tracklist

1	V	4:59
2	IV	7:41
3	Sarcophagi
4	Con Safo
5	II	6:40
6	Vade Mecum
7	Pisacis (Phra-Men-Ma)
8	VIII	0:53
9	Cassandra Gemini
10	-
11	Cygnus.... Vismund Cygnus	13:02
12	III	2:55
13	The Widow	5:50
14	I	4:45
15	Miranda That Ghost Just Isn't Holy Anymore	13:09
16	VI	3:48
17	Facilis Descenus Averni
18	Pour Another Icepick
19	Umbilical Syllables
20	L' Via L' Viaquez	12:21
21	VII	0:46

Credits

• A&R – Gary Gersh
• Arranged By [Strings And Horns], Conductor [Strings And Horns] – David Campbell
• Bass Trombone – Bill Reichenbach , The Coqui Of Puerto Rico
• Cello – Larry Corbett, Suzie Katayama
• Conductor [Strings & Horns] – David Campbell
• Cover – Bill Thorgerson, Dan Abbott , Peter Curzon, Thorgerson, Storm
• Engineer – Andrew Scheps, David Schiffman, Jon Debaun, Omar A Rodriguez-Lopez
• Engineer [Assistant] – Claudius Mittendorfer, Paul Pilsneniks
• Flute, Tenor Saxophone – Adrian Terrazas (tracks: 8 to 12)
• Guitar – John Frusciante (tracks: 3)
• Management – sam
• Mastered By – Howie Weinberg
• Mastered By [Assistant] – Roger Lian
• Mixed By – Rich Costey
• Music By, Directed By – Omar A Rodriguez-Lopez
• Percussion – Lenny Castro
• Performer [On This Record The Mars Volta Is:] – Cedric Bixler Zavala, Ikey Isaiah Owens, Jon Theodore, Juan Alderte De La Peña, Marcel Rodriguez-Lopez, Omar A Rodriguez-Lopez
• Photography By – Peter Curzon, Rupert Truman, Storm Thorgerson
• Piano – Roger Joseph Manning Jr.
• Piano, Clavinet – Larry Harlow (tracks: 3, 8 to 12)
• Producer – Omar A Rodriguez-Lopez
• Trombone – Nicholas Lane
• Trumpet – Flea (tracks: 2, 4 to 7), Salvador "Chava" Hernandez, Wayne Bergeron
• Tuba – Randy Jones
• Violin – Diego Casillas, Erick Hernandez, Ernesto Molina, Fernando Moreno, Joel Derouin, Josefina Vergara, Mario DeLeon, Peter Kent , Roberto Cani
• Vocals, Lyrics By – Cedric Bixler Zavala
• Written-By [Strings And Horns] – David Campbell, Omar A Rodriguez-Lopez

• A&R – Gary Gersh
• Arranged By [Strings And Horns], Conductor [Strings And Horns] – David Campbell
• Cello – Larry Corbett, Suzie Katayama
• Design [Cover By] – Bill Thorgerson, Dan Abbott , Peter Curzon, Storm Thorgerson
• Engineer – Andrew Scheps, David Schiffman, Jon Debaun, Omar A Rodriguez-Lopez
• Engineer [Assistant] – Claudius Mittendorfer, Paul Pilsneniks
• Guitar – John Frusciante (tracks: 3)
• Management – sam
• Mastered By – Howie Weinberg
• Mastered By [Assistant] – Roger Lian
• Mixed By – Rich Costey
• Music By, Directed By – Omar A Rodriguez-Lopez
• Percussion – Lenny Castro
• Performer [On This Record The Mars Volta Is] – Cedric Bixler Zavala, Ikey Isaiah Owens, Jon Theodore, Juan Alderte De La Peña, Marcel Rodriguez-Lopez, Omar A Rodriguez-Lopez
• Photography By – Peter Curzon, Rupert Truman, Storm Thorgerson
• Piano – Roger Manning
• Piano, Clavinet – Larry Harlow (tracks: 3, 5 to 12)
• Producer – Omar A Rodriguez-Lopez
• Tenor Saxophone, Flute – Adrian Terrazas (tracks: 5 to 12)
• Trombone – Nicholas Lane
• Trombone [Bass] – Bill Reichenbach , The Coqui Of Puerto Rico
• Trumpet – Flea (tracks: 2, 4A to 4D), Salvador "Chava" Hernandez, Wayne Bergeron
• Tuba – Randy Jones
• Violin – Diego Casillas, Erick Hernandez, Ernesto Molina, Fernando Moreno, Joel Derouin, Josefina Vergara, Mario DeLeon, Peter Kent , Roberto Cani
• Vocals, Lyrics By – Cedric Bixler Zavala
• Written-By [Strings And Horns] – David Campbell, Omar A Rodriguez-Lopez

Barcodes

• Barcode: 0 75021 03977 3
• Barcode (Scanned): 075021039773
• Matrix / Runout (Variant 1): 00750 210 397-7 01 51577468
• Matrix / Runout (Variant 2): 00750 210 397-7 03 51577468
• Matrix / Runout (Variant 3, 5): 00750 210 397-7 01 51577468
• Matrix / Runout (Variant 4): 00750 210 397-7 02 51577468
• Matrix / Runout (Variant 1 Mould Ring): MADE IN GERMANY BY UNIVERSAL M & L A
• Matrix / Runout (Variant 3, 5 , Mould Ring): MADE IN GERMANY BY UNIVERSAL M & L B
• Matrix / Runout (Variant 4 Mould Ring): MADE IN GERMANY BY UNIVERSAL M & L A
• Mastering SID Code (Variants 1, 2, 3, 4, 5): IFPI LV26
• Mould SID Code (Variant 1, 4): IFPI 0146
• Mould SID Code (Variant 2, 5): IFPI 0139
• Mould SID Code (Variant 3): IFPI 0134
• Rights Society: SABAM / BIEM
• Label Code: LC01846

• Barcode: 0 75021 03977 3
• Matrix / Runout: UNIVERSAL 2103977 WWW.CDSYSTEMS.COM.CO 55866 00028158
• Mastering SID Code: IFPI LR86
• Mould SID Code: IFPI 3Y05

Companies

• Record Company – UMG Recordings, Inc.
• Licensed To – Universal Records
• Phonographic Copyright (p) – The Mars Volta
• Copyright (c) – The Mars Volta
• Made By – Universal M & L, Germany – 51577468
• Published By – Hija De Lola
• Published By – Amputekthure
• Published By – EMI April Music Inc.
• Mixed At – Avatar Studios
• Mastered At – Masterdisk

• Distributed By – Universal Music Colombia, Ecuador, Perú y Venezuela
• Mixed At – Avatar Studios
• Mastered At – Masterdisk

Album

Frances the Mute is the second studio album by American progressive rock band The Mars Volta released in February 2005 on Gold Standard Laboratories and Universal. What is important is what makes this album so brutally brilliant. Текст песни: You cant bend your crooked arms or fold your punctured proof the air is growing cold and theres nothing you can do. Its like Santana on acid. Call it what you will, but be sure to have finished your homework before tackling this gnarled swamp thing. With no apologies, Frances the Mute- The Mars Volta's new 77-minute, five-track, gratuitously subdivided, and feebly narrated album- is for him. 2 tracks 18:11. I'm reluctant to say Bixler-Zavala and Rodriguez-Lopez have become better musicians in the two years since De-Loused was released. Mars Volta - Frances the Mute CD. 4 on the Billboard album charts. It received critical acclaim even though Frances the Mute is more. For 2005's Frances the Mute, Omar Rodriguez-Lopez and Cedric Bixler-Zavala worked principally with their touring band, but joining the band for selected moments are strings, horns, electronic programming, pals Flea and John Frusciante, and the coqui frogs of Puerto Rico. Frances the Mute Q&A. This album just picks you up and takes you into a new world of musical abnormality and mystery. Their name has been thrown out a lot in the music scene, especially the Rock scene for some obvious reasons, being named the best Progressive Rock band ever by The Rolling Stones. Produced by guitarist and songwriter Omar Rodriguez-Lopez, the album incorporates dub, ambient, Latin and jazz influences, and is the first to feature bassist Juan Alderete and percussionist Marcel Rodriguez-Lopez. Brilliant and unique. On a purely personal level, Frances the Mute nearly accomplishes that with me. Opting out of the sudden explosiveness of their previous ventures for the most part, The Mars Volta instead practice sweeping epicness. Frances the Mute is the second studio album by progressive rock band The Mars Volta released in the US on March 1, 2005. The Mars Volta had, of course, entranced me with the highly energetic De-Loused in the Comatorium, which in retrospect sounds just as close to their At the Drive-In days as it does this album. The whole thing has been the Mute is the second studio album by American progressive rock band The Mars Volta released on March 1, 2005 on Gold Standard Laboratories and Universal. On April 14, 2009, the Mars Volta announced their fifth studio album, entitled Octahedron. For 2005's Frances the Mute, Omar Rodriguez-Lopez and Cedric Bixler-Zavala worked principally with their touring band, but joining the band for selected moments are strings, horns, electronic programming, pals Flea and John Frusciante, and the coqui frogs of Puerto Rico. The album's lyrics often jump from Spanish to English. Based off of various story-lines from past band members as well as fictional characters, Frances the Mute is a jazz infused, messy and somewhat psychotic rock n' roll masterpiece. Though not as commercially successful as De-loused in the Comatorium, it received considerable critical praise. the Mute is the second studio album by American progressive rock band The Mars Volta released on March 1, 2005 on Gold Standard Laboratories and Universal. Frances the Mute a. The album also includes contributions from future saxophonist Adrián Terrazas-González, who joined the band during its. Product description. The album's lyrics often jump from Spanish to English. Its The Mars Volta with a completely different story and feel then their first album De Loused in the Comatorium while still maintaining their signature sound. But all of that is relatively unimportant. The Mars Volta is an American Progressive Rock band formed in El Paso, texas, in 2001. Посмотреть сведения об участниках альбома, рецензии, композиции и приобрести альбом 2005 CD от Frances The Mute на the Mute started as a bigger commercial hit than De-Loused, moving 123,000 copies in its first week, and debuting at No. Here is my remix of the album Frances The Mute with the seperately available single Frances The Mute added to the beginning. Текст песни: You cant bend your crooked arms or fold your punctured proof the air is growing cold and theres nothing you can free to The Mars Volta Frances the Mute The Widow, L' Via L' Viaquez. The album also includes contributions from future saxophonist Adrián Terrazas-González, who joined the band during its subsequent tour. It was released June 23 in the United States and June 22 in the rest of the world. The second album by the intense progressive group. Based off of various story-lines from past band members as well as fictional characters, Frances the Mute is a jazz infused, messy and somewhat psychotic rock n' roll masterpiece. I'm reluctant to say Bixler-Zavala and Rodriguez-Lopez have become better musicians in the two years since De-Loused was released. There are no song breaks, making the track listing more of an outline. Listen free to The Mars Volta Frances the Mute The Widow, L' Via L' Viaquez. Before Frances the Mute, they released their debut studio album De-Loused in the Comatorium in 2003. With no apologies, Frances the Mute- The Mars Volta's new 77-minute, five-track, gratuitously subdivided, and feebly narrated album- is for him. read more. Any possible strides in technical proficiency are showcased in brazenly flown-from-the-rafters pandering. The album, both as a whole and broken into pieces, works flawlessly. But the Mars Volta are also a band in the truest, bluest sense of the word, and their strong unity. My, My, My