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The Future Sound Of London - Accelerator Album

The Future Sound Of London - Accelerator Album
Performer: The Future Sound Of London
Genre: Electro
Title: Accelerator
MP3 album size: 2896 mb
FLAC album size: 1570 mb
Style: Techno
Country: UK
Released: 1991
Catalog number: CD TOT 2, CD TOT2
Label: Jumpin' & Pumpin'

Tracklist


1While Others Cry4:14
2Stolen Documents
Producer – Luco
5:13
3Central Industrial4:25
4Moscow3:33
5Expander
Producer – Mental Cube
5:40
6Papua New Guinea6:46
7Pulse State7:27
81 In 84:24
9Calcium
Producer – LucoWritten-By – Yage
6:43
10It's Not My Problem3:54

Versions


CategoryArtistTitle (Format)LabelCategoryCountryYear
LP TOT 2The Future Sound Of London Accelerator ‎(LP, Album, M/Print)Jumpin' & Pumpin'LP TOT 2UK1992
noneThe Future Sound Of London Accelerator ‎(12xFile, AAC, Album)Jumpin' & Pumpin'noneUSUnknown
ADD CD 002The Future Sound Of London Accelerator ‎(CD, Album)Addiction Records, Jumpin' & Pumpin'ADD CD 002Australia1992
CLP 1218-2The Future Sound Of London Accelerator Deluxe ‎(CD, Album, RE + CD, Comp + Dig)HypnoticCLP 1218-2US2002
LP TOT 2The Future Sound Of London Accelerator ‎(LP, Album)Jumpin' & Pumpin'LP TOT 2UK1992

Credits


  • Artwork [Artwork And Profile Control]Buggy G Riphead
  • Executive-ProducerTim Jones
  • ProducerThe Future Sound Of London (tracks: 3, 5 to 10)
  • Written-ByBrian Dougans, Garry Cobain, The Future Sound Of London (tracks: 1 to 3, 5 to 10)

Notes


All tracks recorded and engineered at Earthbeat Studios, London 1991.

℗ 1991 Jumpin' & Pumpin' Records
Made In England

CD label has no base colour, just black text on mirrored surface. There is also a version with an orange label.
Released in a jewel case sleeve.
Track 10 is misspelled "Central Industrail" and is corrected in the tracklist.
Category on artwork: CD TOT 2
Category on CD: CD TOT2

Barcodes


  • Barcode (Text): 5 013993 900221
  • Barcode (String): 5013993900221
  • Matrix / Runout (CD inner ring): CD TOT 2 CDM01 DAMONT

Companies


  • Mastered At – Damont
  • Recorded At – Earthbeat Studios
  • Engineered At – Earthbeat Studios
  • Phonographic Copyright (p) – Jumpin' & Pumpin' Records

Video

Album


Accelerator is the debut studio album by British electronica group The Future Sound of London. The album was first released in 1991 by the record label Jumpin' & Pumpin'. It is widely regarded as the group's most club-oriented album in that almost all the tracks have a sonic, dance-friendly vibe and it does not contain much of their later, more off-beat, complex, ambient techniques. Stolen Documents. The Future Sound of London. PINK FLOYD: Delicate Sound Of - The Future Sound Of London. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Accelerator is the debut album by British electronica group The Future Sound of London. It is widely regarded as their most club friendly album in that almost all the tracks have a sonic, dance friendly vibe and it doesn't contain much of their later, more off-beat, complex, ambient techniques. It was released in Britain in 1991, and re-released a year later with two remixes after the commercial success of the Papua New Guinea single. Due to record label difficulties it could not be released in the United States until 1996, where it contained a further remix. It was re-release. Accelerator Deluxe 2002 - download mp3 or listen online. Songs list. Download each separately, rating. Accelerator Deluxe 2002 - download the album and listen online. On this page you can listen to the album, get information about the album, see the list of songs and much more. Most important - you can download the album Accelerator Deluxe to your computer or phone absolutely free of charge, and without registration. Listen online and stay in a good mood. Album: Accelerator Deluxe 2002. Electronic Techno Ambient Experimental. The Future Sound Of London. The Future Sound of London часто сокращаемое до FSOL - английский электронный дуэт Гарри Кобейна англ. Garry Cobain и Брайана Дуганса англ. Brian Dougans. Rather than focusing on ambient experimentalism or industrial noise destruction, here Future Sound of London sound like a straightforward if at times inspired act, whose tendencies to push the envelope are secondary to keeping the beat going. The main reason to listen remains its awesome single Papua New Guinea, blending a treated vocal sample from Dead Can Dance's Lisa Gerrard with a slightly sped-up James Brown drum loop and other, more shadowy touches like echoed piano. Album 1991 12 Songs. The Archives - Sampler 1. Accelerator Deluxe. Papua New Guinea believed to be their first album, Accelerator is their first full length to use the Future Sound of London name exclusively but it is their SECOND album. Originally they released tons of singles and eps under various band names, and their first full length was a fake various artist album a various artist album where every band was them called Earthbeat. Also check out The Pulse eps from the same time period. The 4 eps have been reprinted as one full length album, but they started as eps so they don't count as. It is widely regarded as their most club-oriented album in that almost all the tracks have a sonic, dance-friendly vibe and it does not contain much of their later, more off-beat, complex, ambient techniques. 1 Content. Accelerator was released in Britain in 1991, and re-released a year later with two remixes after the commercial success of the single Papua New Guinea. Due to record label difficulties, it could not be released in the United States until 1996, where it contained a further remix
Valawye
I think I first bought this in 1994. I only listen to it on rare occasions to keep it special. Pulse State and Calcium are my favourites. Two absolute gems.
skyjettttt
I was just listening to this and I was moved to post a comment. This album to me is easily in my list of top 10 electronic music albums. It's really meant to be listened to as a CD, straight through, as an experience. Foresee myself in my 60-70s if I live that long playing this. Thank you guys for making this. PNG single-highhandedly changed my life by opening me to the world of techno (even though I'd long been an EBM/industrial guy) in 1991. I used to think it was just about PNG but there's so much more here. Every track incredible. On a lovely spring day, I'll have another.
Duzshura
Popularly believed to be their first album, Accelerator is their first full length to use the Future Sound of London name exclusively but it is their SECOND album. Originally they released tons of singles and eps under various band names, and their first full length was a fake various artist album (a "various artist album" where every band was them) called Earthbeat.https://www.discogs.com/Various-Earthbeat/master/110505Also check out The Pulse eps from the same time period. The 4 eps have been reprinted as one full length album, but they started as eps so they don't count as their 1st album. This is where the "Future Sound Of London" bandname was first used (as one of the 4 "different" bands on the eps).https://www.discogs.com/The-Future-Sound-Of-London-The-Pulse-EPs/release/1340421
Zyniam
Thanks for the references, but Earthbeat was released in 1992, whereas Accelerator was released in 1991.
Molotok
A 5 star LP and a very important LP in the evolution of techno. 'Pulse State' rates as one of my favourite tracks ever committed to vinyl. I can easily loose myself in that 303 bass line and those 808 claps intertwined with some heavenly chords. I wish it lasted for 60 mins..... For me the highlight on a exemplary LP.For those looking to source the sample on 'Central Industrial' take a dive into Throbbing Gristle's '20 Jazz Funk Greats' from 1979. The track 'What A Day' has the riff you are familiar with over all these years
นℕĨĈტℝ₦
"Welcome to Central Industrial - we ARE the future!" FSOL are arguably one of the most influential acts to arise from the late 80's / early 90's electronic rave scene. This album is their signature moment and it set a standard that few have tried to equal with a debut album. Here FSOL proved that techno / trance / house was a serious, mature musical genre. The production was clean and deep and the music was much more varied than 4-4 beats for the pilled-up generation. It's difficult to imagine the electronic music scene without FSOL as they opened the door for other acts. Even now certain tracks on this album sound well ahead of the pack. Worth owning just for the seminal track 'Papua New Guinea' (if you don't have the CD single version) a piece that practically defines the early 90's. Also to be found here are 'Expander' and 'Moscow', two tracks that FSOL contributed to the soundtrack for WIPEOUT on the PlayStation. All the tracks have something to offer the post-Kraftwerk house generation and serious music fans should not be without this.
Jieylau
What an amazing album, from start to end it is awesome and well ahead of its time. The only track that is sort of disappointing is "Moscow". That track, although it isn't bad, just got on my nerves after a while. Other than that, this album is a must have. Particualr faves of mine include the infamous "Papua New Guinea", "Calcium" and "While others cry".
Bundis
I am the first to comment of this album??? Incredible! I am absolutley stunned and confused. Simplistic, futuristic, dark, moody techno music with a distinctive sound. One of my favourite albums ever.
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