Supergrass - In It For The Money Album

Tracklist

1	Sun Hits The Sky Percussion – Satan Singh	4:55
2	Late In The Day	4:43
3	Cheapskate	2:43
4	Sometimes I Make You Sad Percussion – Satan Singh	2:48
5	Going Out Horns – The Kick HornsProducer – Sam Williams	4:16
6	It's Not Me	2:56
7	Richard III Theremin – Sam Williams	3:12
8	Hollow Little Reign Horns – Hornography	4:08
9	Tonight Horns – Hornography	3:09
10	You Can See Me	3:40
11	G-Song	3:27
12	In It For The Money Horns – The Kick Horns	3:05

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
7243 8 55228 2 6, CDPCS 7388	Supergrass	In It For The Money ‎(CD, Album)	Parlophone, Parlophone	7243 8 55228 2 6, CDPCS 7388	Europe	1997
BMGCAT329CD	Supergrass	In It For The Money ‎(CD, Album, RE, RM)	Echo, BMG	BMGCAT329CD	Europe	2018
CDP 7243 8 55228 2 6	Supergrass	In It For The Money ‎(CD, Album, Club)	Capitol Records	CDP 7243 8 55228 2 6	Canada	1997
CDP 7243 8 55228 2 6	Supergrass	In It For The Money ‎(CD, Album, Club)	Capitol Records	CDP 7243 8 55228 2 6	US	1997
CDP 7243 8 55228 2 6	Supergrass	In It For The Money ‎(CD, Album)	Capitol Records	CDP 7243 8 55228 2 6	US	1997

Credits

• Arranged By – Sam Williams (tracks: 1, 9)
• Design, Artwork [Image Manipulation] – The Designer's Republic
• Mixed By – John Cornfield (tracks: 1 to 3, 5, 6, 8, 10 to 12), Sam Williams (tracks: 4, 7, 9)
• Mixed By, Arranged By – Supergrass
• Photography By [Cover] – James Fry
• Photography By [Inner] – Matthew Burley
• Photography By [Video Stills] – Nick & Dom
• Producer – John Cornfield (tracks: 1 to 6, 8 to 12)
• Producer, Written-By – Supergrass
• Written-By – Robert Coombes

Notes

Advance listening CD for promotional use only

Barcodes

• Matrix / Runout (Variant 1): EMI SWINDON 8552282 1:1:1

Companies

• Recorded At – Sawmills Studio
• Phonographic Copyright (p) – EMI Records Ltd.
• Copyright (c) – EMI Records Ltd.
• Pressed By – EMI Uden

Video

Album

In It For The Money. CMRRA, LatinAutor - SonyATV, LatinAutor, UMPG Publishing и другие авторские общества 4. Late In The Day. In It For The Money - Supergrass. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. In It for the Money is the second studio album by English alternative rock band Supergrass, released in 1997. NME called it more fun than watching a wombat in a washing machine and named it the 10th best album of the year. In 1998, Q readers voted it the 68th greatest album of all time, while in 2000 the same magazine placed it at number 57 in its list of the 100 Greatest British Albums Ever. Album 1997 21 Songs. Rock 1997. In It For the Money. From the droning mantra of the opening title track, it's clear that the band has delved deeply into psychedelia, and hints of Magical Mystery Tour are evident throughout the album, from swirling organs and gurgling wah-wahs to punchy horn charts and human beatboxes. Songs in album Supergrass - In It For the Money 1997. Supergrass - In It For the Money. Supergrass - Richard III. Supergrass - Late in the Day. Supergrass - G-Song. Supergrass - Sun Hits the Sky. Supergrass - Going Out. Supergrass : In It for the Money,альбом, рецезия, трек-лист, mp3, тексты песен. Deniece Williams Let's Hear It for the Boy. Radio Monte Carlo Мировое Кино. Tanita Tikaram Twist In My Sobriety. From The Album. Play album. In It for the Money. Supergrass were an alternative rock band which formed in Oxford, England in 1994. The band consisted of brothers Gaz guitar and lead vocals and Rob Coombes keyboards, Mick Quinn bass and backing vocals and Danny Goffey drums and backing vocals. In summer 1994 they released their first single Caught By The Fuzz which had Strange Ones on the B side, on a small local record label called Backbeat, run by Makating bass guitarist Dave Norland from his bedroom in a house in the Cowley Road area of Oxford. The song was successful and it didn't take much time when the Parlophon read more. Supergrass had a very headstrong, expressive first album. As a second album In It For The Money was a musical improvement, but lost some of the more earthy expression of teens finding their way in life, but it comes together as their most overall enjoyable album to date. Sure, they havent had a bad album yet, and they are all quite good, but Money peaked as an overall package. Afterwards they became, at times, wistfully plastic, creepy, obtuse and silly. I still love their recent albums, but wish they would release one every two years minimal