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Stereolab - Emperor Tomato Ketchup Album

Stereolab Indie Rock Krautrock Post Rock 1996
Stereolab - Emperor Tomato Ketchup Album
Performer: Stereolab
Genre: Electro / Rock
Title: Emperor Tomato Ketchup
MP3 album size: 1777 mb
FLAC album size: 1370 mb
Style: Indie Rock, Krautrock, Post Rock
Country: UK
Released: 11 Mar 1996
Catalog number: D-UHF-CD11
Label: Duophonic Ultra High Frequency Disks
Download MP3 Download FLAC

Tracklist


1Tomorrow Is Already Here
2Anonymous Collective
3Emperor Tomato Ketchup
4Les Yper-Sound
5Slow Fast Hazel
6The Noise Of Carpet
7Spark Plug
8Motoroller Scalatron
9Percolator
10Cybele's Reverie
11Metronomic Underground
12OLV 26
13Monstre Sacre

Versions


CategoryArtistTitle (Format)LabelCategoryCountryYear
D-UHF-CD11RStereolab Emperor Tomato Ketchup ‎(CD, Album, RE, RM + CD + Ltd, Num, Obi)Duophonic Ultra High Frequency Disks, Warp RecordsD-UHF-CD11RUK, Europe & US2019
D-UHF-D11Stereolab Emperor Tomato Ketchup ‎(2xLP, Album, Ltd, Yel)Duophonic Ultra High Frequency DisksD-UHF-D11UK1996
D-UHF-D11Stereolab Emperor Tomato Ketchup ‎(2xLP, Album, Gat)Duophonic Ultra High Frequency DisksD-UHF-D11UK1996
AIN 23007Stereolab Emperor Tomato Ketchup ‎(CD, Album, Unofficial)Elektra AIN 23007Russia1996
D-UHF-D11RStereolab Emperor Tomato Ketchup (Expanded Version) ‎(2xLP, Album, RE, RM + LP)Duophonic Ultra High Frequency Disks, Warp RecordsD-UHF-D11REurope2019

Notes


Released in a 4 panel cardboard sleeve.

Made in England.

Barcodes


  • Barcode (Printed): 5 021904 031025
  • Barcode (Scanned): 5021904031025
  • Matrix / Runout: DUHFCD11 10397961 01 % MADE IN U.K. BY PDO
  • Mastering SID Code: IFPI L132
  • Mould SID Code (Variant 1): IFPI 0450
  • Mould SID Code (Variant 2): IFPI 0481

Companies


  • Distributed By – RTM
  • Distributed By – Disc
  • Made By – PDO, UK – 10397961
  • Published By – Copyright Control
  • Published By – Sony Music Publishing
  • Recorded At – Blackwing Studios
  • Recorded At – Idful Music

Video

Album


Emperor Tomato Ketchup is the fourth studio album by English-French rock band Stereolab. It was released on 18 March 1996 in the United Kingdom by Duophonic Records and on 9 April 1996 in the United States by Elektra Records. The album takes its name from the 1971 experimental film Tomato Kecchappu Kōtei Emperor Tomato Ketchup by Japanese author and director Shūji Terayama, whilst the artwork is inspired by the sleeve of a 1964 recording of composer Béla Bartók's Concerto for Orchestra by the. Emperor Tomato Ketchup is a close as the Lab would ever get to a definitive answer. It documents a premillennial moment in which people-jazzbos in Chicago and red mods doing the Mashed Potato in Washington, D. riot grrrls in the Northwest, bass cadets in Sheffield, and the chic set in Paris and the retro-futurists in Birmingham, and especially crate-diggers in Tokyo and London and New York-wondered if record collecting and community organizing might be. the same thing. Yes and no, Stereolab replies. They made dialectics you can dance to, and that was revolution enough. Emperor Tomato Ketchup. UMPG Publishing, Rumblefish Publishing, Abramus Digital, CMRRA и другие авторские общества 7. Warp Records от лица компании Duophonic, Warp Records BMI - Broadcast Music Inc. Emperor Tomato Ketchup is ranked 946th in the overall chart, 188th in the 1990s, and 22nd in the year 1996. The top rated tracks on this album are Cybele's Reverie and Metronomic Underground. This album is rated in the top 2 of all albums on . Stereolab were poised for a breakthrough release with Emperor Tomato Ketchup, their fourth full-length album. Not only was their influence becoming apparent throughout alternative rock, but Mars Audiac Quintet and Music for the Amorphous Body Center indicated they were moving closer to distinct pop melodies. The group certainly hasn't backed away from pop melodies on Emperor Tomato Ketchup, but just as their hooks are becoming catchier, they bring in more avant-garde and experimental influences, as well. Consequently, the album is Stereolab's most complex, multi-layered record. Stereolab - Emperor Tomato Ketchup 1996. To favorites 1 Download album. Listen album. Songs in album Stereolab - Emperor Tomato Ketchup 1996. Stereolab - Metronomic Underground. Stereolab - Cybele's Reverie. Stereolab - Percolator. Stereolab - Les Yper-Sound. Released March 11, 1996. Emperor Tomato Ketchup Tracklist. Metronomic Underground 1996 13 Songs. Альтернативний 1996. Exclusive discount for Prime members. Sample this album Artist Sample. If you've never heard a Stereolab album before, you're in for a real treat Any of them will do, but this might be the best place to start. Read more. Band Name Stereolab. Album Name Emperor Tomato Ketchup. Type Album. 发布日期 四月 1996. 出版公司 Duophonic. Monstre Sacre. Motoroller Scalatron. Slow Fast Hazel. Anonymous Collective. Buy this album. Other productions from Stereolab. Not Music. Chemical Chords
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DART-SKRIMER
Check out the 1960s Bartok concerto for orchestra lp that Ketchup artwork was based on. I have both...look fab side by side but i dont know how to put a pic here
Dellevar
One of the groop's finest, and most critically acclaimed works. If you're wanting to introduce someone to Stereolab or if you're perhaps getting into them, I would no doubt recommend this album. The songs are varied in a way so that each one is considerately different with one and another, which is a major contrast with their previous album Mars Audiac Quintet (as most of the tracks have a similar structure).

The album begins with "Metronomic Underground", the longest track of the album. The way it builds up is fantastic, and the instrumentation makes the listener come back for more. Straight after that, we get "Cybele's Reverie", which is such of a beautiful song; the vocals, and the violins segments are just amazing to hear. Now, I don't want to go over all of the tracks in detail, but I would have to say that all of them are great in their own ways. Alongside the aforementioned songs, I'm a fan of "Les Yper Sound", "Spark Plug" and "The Noise of Carpet", which I consider to be the highlights of the album.

If you're feeling down, I would probably advise you to give a listen to the whole album from start to finish. I'm definitely looking forward for its reissue!
Bluecliff
Stereolab's "Emperor Tomato Ketchup" refrains to a character that is very influenced by the sixties and the seventies, with undertones of French pop and reminiscences from the automatic psychedelia from Silver Apples and a well constructed pastiche of Krautrock tendencies that overcome in a very colorful and melodic album that departs from the more avantgardistic pro Velvet underground fascination more votive in their previous albums.
I didnt listen this kind of music in 1996, but the powerful vitalism from it and the continuous rotation of certain songs into the circles of NYC at the time were enough to fill me with its inhibited positiveness and colorful sweetness. It is the kind of album that goes along with every circumstance and contains different moods in through its own aural delivery, thats probably its richness.
The voice from Laetitia sadier along with the backing vocals of Mary Hansen creates this lovely melodic form that interplayed with the tonal layers and the instrumental loops enncompased with the robotic rhythms makes it a big hit for a rainy day, for the walk or the car drive.

it is to notice that while one may dedicate some deep listening disposition towards the album it may identificate the tricks behind its veil.
In some songs sometimes there is not even a proper melody construction (aside from the voices which are always the top center of the whole thing) but a sort of continuous juxtaposition of tonalities and loops that added the proper velocity and rhythmic resonance finally conform a melodic structure that always manages to bring an impressive concatenation of melody and fluidity. Also the variety of the album it is displayed not by the ammount of different instrumentation but by the disposition and different organization of the drones and the beat. Take notice for example how the backing tonal chords from "Percolator" which is an upbeat happy song resembles almost identically those of the "Monstre Sacre" which is the melancholic note from the album, nevertheless completely different in form and sentiment.

This is the kind of album one may keep in the shelves for whenever the sun is not around, its shiny and colorful melodic predicament may be enough to rise the mood of a dead person, and its enough inventive and vitalistic as to surpass the mere pop enterntainment.
Classic of the 90s.
JoJogar
The title of the album came from the Shûji Terayama's surreal movie Tomato Kecchappu Kôtei (1971) (Emperor Tomato Ketchup) http://www.imdb.com/title/tt0066468/ after the band members watched a 72 min (1996) version I guess.
Enone
How come there are no reviews for this famous album on Discogs?... Anyway, this certainly goes down as one of the iconic albums of the '90s. Combining influences from krautrock, noise pop or retro French pop (I only mentioned three, but many more can be felt on the album), Stereolab sound different on almost each track on this album, yet it never feels like a half-baked compilation or mixtape. Maybe not as cohesive as "Sound-Dust" or "Dots and Loops", Emperor Tomato Ketchup has one big advantage: it's very fun. It's also artsy, at least more artsy than "Mars Audiac Quintet", but it's fun, first of all. While struggling with a harder-to-get-into Stereolab album, I was easily attempted to replay this: it certainly caught them in a moment of divine inspiration. Needs probably a few listens or one very attentive listen, but, after that, there's no filler to be found here.
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