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Sleater-Kinney - The Woods Album

Sleater-Kinney - The Woods Album
Performer: Sleater-Kinney
Genre: Rock
Title: The Woods
MP3 album size: 2821 mb
FLAC album size: 1033 mb
Style: Alternative Rock, Indie Rock
Country: US
Released: 21 Oct 2014
Catalog number: SP 670
Label: Sub Pop

Tracklist


1Night Light3:40
2Wilderness3:40
3Modern Girl3:01
4Entertain4:55
5Steep Air4:04
6Let's Call It Love11:01
7Rollercoaster4:55
8The Fox3:25
9What's Mine Is Yours4:58
10Jumpers4:24

Versions


CategoryArtistTitle (Format)LabelCategoryCountryYear
SPCD 670Sleater-Kinney The Woods ‎(CD, Album, Gat)Sub PopSPCD 670US2005
SP 670Sleater-Kinney The Woods ‎(CD, Album, RE, RM)Sub PopSP 670US2014
noneSleater-Kinney The Woods ‎(CD, Album, Promo)Not On LabelnoneUnknown
SP 670Sleater-Kinney The Woods ‎(LP + LP, S/Sided, Etch + Album, Club, RM, Amb)Sub PopSP 670US2018
SPCD 679Sleater-Kinney The Woods ‎(CD, Album + DVD-V, Ltd)Sub PopSPCD 679US2005

Credits


  • DesignJeff Kleinsmith
  • Drums, Backing VocalsJanet Weiss
  • Guitar, VocalsCarrie Brownstein
  • Mastered ByGreg Calbi, Ray Janos
  • Painting [Cover]Michael Brophy
  • Photography ByJohn Clark
  • Producer, Recorded By, Mixed ByDave Fridmann
  • Vocals, GuitarCorin Tucker
  • Written-By, PerformerSleater-Kinney

Notes


Produced, recorded and mixed at Tarbox Road, Studios, Cassadaga NY, November - December 2004.

Second record is single sided with an etched d-side.
Comes with a printed lyric insert.

Barcodes


  • Barcode: 0 98787 06701 9
  • Matrix / Runout (A Side Hand Etched): SP-670-A 22787.1 BE 62392-01 A1 RJ
  • Matrix / Runout (B Side Hand Etched): SP-670-B 22787.2 BE 62392-01 B1 RJ
  • Matrix / Runout (C Side Hand Etched): SP-670-C 22787.3 BE 62392-01 C1 RJ
  • Matrix / Runout (A, B & C Side Stamped): STERLING
  • Rights Society: ASCAP

Companies


  • Copyright (c) – Sub Pop Records
  • Phonographic Copyright (p) – Sub Pop Records
  • Copyright (c) – Code Word Nemesis
  • Produced At – Tarbox Road Studios
  • Recorded At – Tarbox Road Studios
  • Mixed At – Tarbox Road Studios
  • Mastered At – Sterling Sound
  • Manufactured By – Optimal Media GmbH – BE 62392
  • Mastered At – Record Technology Incorporated – 22787

Video

Album


The Woods is the seventh and final studio album by the indie rock trio Sleater-Kinney. Released in 2005, the album was released to widespread Woods is the seventh studio album by American alternative rock band Sleater-Kinney. It was released in 2005 on Sub Pop, their major label debut. The album was produced by Dave Fridmann and recorded from November 2004 to December 2004 at Tarbox Road Studios in Cassadaga, New York. The album received widespread critical acclaim. The Woods was produced by Dave Fridmann and recorded from November 2004 to December 2004 at Tarbox Road Studios in Cassadaga, New York. Much of the album was recorded live. The Woods by Sleater-Kinney, released 24 May 2005 1. The Fox 2. Wilderness 3. What's Mine Is Yours 4. Jumpers 5. Modern Girl 6. Entertain 7. Rollercoaster 8. Steep Air 9. Let's Call It Love 10. Night Light Sleater-Kinney was an acclaimed, American rock band that formed in Olympia, Washington in 1994. Sleater-Kinney were known for their feminist, left-leaning politics, and were an integral part of the riot grrrl and indie rock scenes in the Pacific Northwest. The Woods is the seventh and final studio album from Sleater-Kinney, released on May 24, 2005 by Sub Pop. Listen free to Sleater-Kinney The Woods The Fox, Wilderness and more. 10 tracks 48:24. The Woods is the seventh studio album by American indie rock band Sleater-Kinney. It was released in 2005 on Sub Pop. The Woods. Released May 24, 2005. The Woods Tracklist. The Fox Lyrics. Wilderness Lyrics. Sleater-Kinneys seventh LP and its last before the bands 10-year hiatus. It was the groups first to crack the Billboard Top 100 as well as its first for Sub Pop Records. The Woods Q&A. Guitar Corin Tucker & Carrie Brownstein. Vocals Corin Tucker & Carrie Brownstein. Drums Janet Weiss. Sleater-Kinney - The Woods Live Pt 1. To favorites 0 Download album. Listen album. But Sleater-Kinney are looking backwards too, albeit to a different time in rock history and to different styles, as well as with a greater open-mindedness and self-awareness. Many of the hard-rock trappings of The Woods sound self-conscious: Leading into the album-closing Night Light, the 11-minute guitar solo on Let's Call It Love is just that- an 11-Minute Guitar Solo. The badass breakdown on What's Mine Is Yours is just that- a Badass Breakdown. But the point of Let's Call It Love is the equation of music and sex as Brownstei. Sleater-Kinney, meanwhile, get by simply sounding fucking supersonic. Far from the retreat implied in its title, The Woods is another passionate statement from Sleater-Kinney, equally inspired by the call-to-arms of their previous album, One Beat, and the give-and-take of their live sets, particularly their supporting slot on Pearl Jam's 2003 tour. Throughout their career, the band has found ways to refine and elaborate on the fiery spirit that makes them so distinctive without diminishing it. The Woods - Sleater-Kinney. Oh cock rock, is there anything you can't do You give pubescent boys the confidence in their pecker to call anyone different from them gay while paradoxically allowing these same boys to fawn over Robert Plant's homoerotic-to-the-max moans in Whole Lotta Love. Of course, no proper cock rock album is complete without vocals, and this is where Sleater totally eclipses its heavy metal touchstones on this album. Corin Tucker's voice was always impressive, but here it blows alway anything Zeppelin could ever hope to achieve. Sleater-Kinney, long identified with the Pacific Northwest they formed in Olympia, Washington, traveled to upstate New York to record in the studio of producer David Fridmann Flaming Lips, Weezer. The albums title reflects the bands geographic and sonic dislocation. The experience of recording it in this really rural woods is partially why that title resonated with us, Tucker says. While The Woods ten tracks may not sport the trenchant political content of 2002s One Beat, Tucker considers the album just as potent. We went inward with the things we wanted to say, she explains, and I think the intensity of the record is reflective of the political and cultural climate that weve been living in
Anen
This is their best record
Discussed
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