Slayer - God Hates Us All Album
Tracklist
| 1 | Deviance | 3:09 |
| 2 | War Zone | 2:46 |
| 3 | Threshold | 2:28 |
| 4 | Here Comes The Pain | 4:31 |
| 5 | Payback | 3:05 |
| 6 | God Send Death | 3:46 |
| 7 | Exile | 3:57 |
| 8 | New Faith | 3:05 |
| 9 | Cast Down | 3:28 |
| 10 | Darkness Of Christ | 1:30 |
| 11 | Bloodline | 3:36 |
| 12 | Disciple | 3:37 |
| 13 | Seven Faces | 3:42 |
Versions
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| 586 394-1 | Slayer | God Hates Us All (LP, Album, Ltd, Red) | American Recordings | 586 394-1 | Europe | 2001 |
| none | Slayer | God Hates Us All (CD, Unofficial) | Not On Label | none | Russia | 2001 |
| UICL-1012 | Slayer = スレイヤー | Slayer = スレイヤー - God Hates Us All = ゴッド・ヘイツ・アス・オール (CD, Album) | Island Records, American Recordings | UICL-1012 | Japan | 2001 |
| 586 386-2 | Slayer | God Hates Us All (CD, Album, Sli) | American Recordings | 586 386-2 | Australia | 2001 |
| 586 331-2 | Slayer | God Hates Us All (CD, Album, Unofficial) | American Recordings | 586 331-2 | Russia | 2001 |
Credits
- A&R – Dino Paredes
- Art Direction, Design, Photography By [Photo Illustrations] – Louis Marino
- Bass, Vocals – Tom Araya
- Creative Director – Rick Patrick
- Drums – Paul Bostaph
- Engineer – Dean Maher, Matt Hyde
- Engineer [Assistant] – Paul Forgues
- Executive-Producer – Rick Rubin
- Guitar – Jeff Hanneman, Kerry King
- Management – Nick John , Rick Sales
- Mastered By – Eddy Schreyer
- Mixed By – Matt Hyde (tracks: 1, 9), Sean Beavan (tracks: 2 to 8, 10 to 13)
- Producer – Matt Hyde
- A&R – Dino Paredes
- Drums – Paul Bostaph
- Engineer – Dean Maher
- Engineer [Assistant] – Paul Forgues
- Executive-Producer – Rick Rubin
- Guitar – Jeff Hanneman, Kerry King
- Mastered By – Eddy Schreyer
- Mixed By – Matt Hyde (tracks: 1, 9), Sean Beavan (tracks: 2-8, 10-13)
- Producer, Engineer – Matt Hyde
- Vocals, Bass – Tom Araya
Notes
Made in the E.U.℗© 2001 American Recordings, LLC.
314 586 331-2 NS01 is printed on the back of the censored white insert
Barcodes
- Barcode (Scanned EAN): 0602537352234
- Barcode (Text): 6 02537 35223 4
- Rights Society (Rear): BIEM SDRM
- Rights Society (CD): BIEM/SDRM
- Matrix / Runout (Variant 1): 3735223 12 A00 Universal [Logo] Sony DADC
- Mastering SID Code (Variant 1): IFPI L352
- Mould SID Code (Variant 1): IFPI 9465
- Matrix / Runout (Variant 2): Sony DADC [Universal logo] 3735223 12 A00
- Mastering SID Code (Variant 2): IFPI L552
- Mould SID Code (Variant 2): IFPI 947A
- Matrix / Runout (Variant 3): Sony DADC [Universal logo] 3735223 12 A00
- Mastering SID Code (Variant 3): IFPI L552
- Mould SID Code (Variant 3): IFPI 94K1
- Matrix / Runout (Variant 4): Sony DADC [Universal logo] 3735223 22 A00
- Mastering SID Code (Variant 4): IFPI L552
- Mould SID Code (Variant 4): IFPI 947A
- Matrix / Runout (Variant 5): Sony DADC [Universal logo] 3735223 22 A00
- Mastering SID Code (Variant 5): IFPI L552
- Mould SID Code (Variant 5): IFPI 9460
- Matrix / Runout (Variant 6): Sony DADC [Universal logo] 3735223 22 A00
- Mastering SID Code (Variant 6): IFPI L552
- Mould SID Code (Variant 6): IFPI 944A
- Barcode: 731458633129
- Matrix / Runout (Variant 1): 314 586 3312 02$
- Mastering SID Code (Variant 1): IFPI L009
- Mould SID Code (Variant 1): IFPI 0313
- Matrix / Runout (Variant 2): 314 586 3312 02$
- Mastering SID Code (Variant 2): IFPI L009
- Mould SID Code (Variant 2): IFPI 0334
- Other (Variant 2, Mould Stamp): MADE IN THE USA BY PMDC
Companies
- Phonographic Copyright (p) – American Recordings, LLC
- Copyright (c) – American Recordings, LLC
- Manufactured By – Island Def Jam Music Group
- Marketed By – Island Def Jam Music Group
- Distributed By – Universal Music & Video Distribution, Corp.
- Recorded At – The Warehouse Studio
- Mixed At – Larrabee East
- Mastered At – Oasis Mastering
- Made By – UML
- Pressed By – PMDC, USA
- Recorded At – The Warehouse Studio
- Mixed At – Larrabee East
- Mastered At – Oasis Mastering
- Glass Mastered At – Sony DADC
Video
Album
Mallcore you say 58. What made God Hates Us All Slayer's last truly great album is that it was an attempt to move forward while still retaining their signature sound. God Hates Us All is the eighth studio album by Slayer. Guitarist Kerry King wrote the majority of the lyrics, taking a different approach from earlier recordings by exploring topics such as religion, murder, revenge and self-cont. They refined the work they controversially started on Diabolus. Subsequent albums were good records with some essential songs, but they felt more like product that would give Slayer a reason to go on tour God Hates Us All feels like a real artistic statement and, at the time, a reinstatement of the band's merciless thrash supremacy. I consider Slayer to be similar to Motorhead. Released date 11 September 2001. While God Hates Us All isn't on a par with those classics, without much argument one could cal. Album Name God Hates Us All. Of course, the die has been cast and the end is in sight for Slayer, one of extreme music's. Guitarist Kerry King wrote the majority of its lyrics, taking a different approach from earlier recordings by exploring topics such as religion, murder, revenge, and self-control. Guitarist Kerry King wrote the majority of the lyrics, taking a different approach from earlier recordings by exploring topics such as religion, murder, revenge and self-control. March 12th, 2003. The album was the bands last to feature drummer Paul Bostaph until his return twelve years later. It was recorded in three months at The Warehouse Studio in Canada, and includes the Grammy Award-nominated Disciple. hates their fans. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. It was recorded over three months at The Warehouse Studio in Vancouver, and includes the Grammy Award-nominated Disciple. May 17th, 2004. The album is the band's last to feature drummer Paul Bostaph until their 2015 Repentless. God Send Death. Incredibly brutal, God Hates Us All is Slayer's most effective album since Seasons in the Abyss 1990, thanks in large part to Matt Hyde's raw production and a handful of killer songs. Subsequent albums were good records with some essential songs, but they felt more like product that would give Slayer a reason to go on tour God Hates Us All feels like a real artistic statement and, at the time, a reinstatement of the band's merciless thrash supremacy. The previous few Slayer albums - Divine Intervention 1994, Undisputed Attitude 1996, and Diabolus in Musica 1998 - were relatively disappointing, at least for anyone familiar with the band's defining triptych of Reign in Blood 1986, South of Heaven 1988, and Seasons in the Abyss 1990. Incredibly brutal, God Hates Us All is Slayer's most effective album since Seasons in the Abyss 1990, thanks in large part to Matt Hyde's raw production and a handful of killer songs. What made God Hates Us All Slayer's last truly great album is that it was an attempt to move forward while still retaining their signature sound. Name Slayer USA. Hates Us All is the ninth studio album by American thrash metal band Slayer. While God Hates Us All isn't on a par with those classics, without much argument one could cal. Slayer hates the trends. God hates the people who. The previous few Slayer albums - Divine Intervention 1994, Undisputed Attitude 1996, and Diabolus in Musica 1998 - were relatively disappointing, at least for anyone familiar with the band's defining triptych of Reign in Blood 1986, South of Heaven 1988, and Seasons in the Abyss 1990. February 12th, 2003. God Hates Us All - Slayer. Slayer - God Hates Us All. Not musically, but because both bands, throughout their careers, have played the exact same sounding music without making any major alterations to their sound AT ALL. The band experimented, recording most of the album in C tuning. Slayer - God Hates Us All 2001. God Hates Us All is the ninth studio album by American thrash metal band Slayer, released on September 11, 2001 by American Recordings. God Hates Us All. Metal 2001. But because that sound is so fucking AWESOME and since it was crafted to make room for a lot of creativity, its never gotten old and neither of them have worn out their welcome. Of course, the die has been cast and the end is in sight for Slayer, one of extreme music's. It was recorded in three months at The Warehouse Studio in Canada, and includes the Grammy Award-nominated Disciple. Slayer hates their fans. Type Album
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MP3 album size: 2094 mb
Style: Thrash







