Schönberg ┃ Berg ┃ Webern - The RIAS Second Viennese School Project Album
Tracklist
| 1 | – | I. Leicht, Zart | 1:09 |
| 2 | – | __ Galgenlied | 0:18 |
| 3 | –Arnold Schönberg | Concerto For Piano And Orchestra, Op. 42 Conductor – Winfried ZilligOrchestra – RIAS-Symphonie-OrchesterPiano – Peter Stadlen | (20:34) |
| 4 | –Alban Berg | Four Pieces For Clarinet And Piano, Op. 5 Clarinet – Heinrich GeuserPiano – Klaus Billing | (5:58) |
| 5 | – | 4. TraumgekröntText By – Rainer Maria Rilke | 2:35 |
| 6 | – | II. Lebhaft Und Zart Bewegt | 0:46 |
| 7 | –Johann Strauss Jr. | 'Schatzwalzer' Aus 'Der Zigeunerbaron' Op. 418 (1885/1921)Arranged By – Anton WebernEnsemble [String Quartet] – Bastiaan-QuartettHarmonium – Emil HammermeisterPiano – Klaus BillingViola [Bastiaan-Quartett] – Walter Müller Violin [Bastiaan-Quartett] – Hans Bastiaan, Johannes BlauVioloncello [Bastiaan-Quartett] – Werner Haupt | 9:15 |
| 8 | – | III. Sehr Langsame Viertel | 0:44 |
| 9 | – | IV. Giocoso (Moderato) | 6:11 |
| 10 | –Anton Webern | Four Pieces (Vier Stücke ) For Violin And Piano, Op. 7 Piano – Diane AndersenViolin – André Gertler | (4:36) |
| 11 | –Alban Berg | 'Schließe Mir Die Augen Beide' (two versions)Piano – Hans HilsdorfSoprano Vocals – Evelyn LearText By – Theodor Storm | (2:48) |
| 12 | – | 12. Wenn Sich Bei Heiliger Ruh In Tiefen Matten | 2:05 |
| 13 | –Arnold Schönberg | Three Piano Pieces, Op. 11 Piano – Eduard Steuermann | (12:58) |
| 14 | –Arnold Schönberg | Piano Piece, Op. 33b, Mäßig Langsam Piano – Else C. Kraus | 3:52 |
| 15 | – | __ Bewegt | 2:17 |
| 16 | – | 2. SchilfliedText By – Nikolaus Lenau | 1:54 |
| 17 | –Arnold Schönberg | Six Little Piano Pieces, Op. 19 Piano – Eduard Steuermann | (5:06) |
| 18 | – | 11. Als Wir Hinter Dem Beblümten Tore | 2:38 |
| 19 | –Arnold Schönberg | Piano Piece, Op. 33a , MäßigPiano – Else C. Kraus | 2:17 |
| 20 | CD1 __ 77:03 | ||
| 21 | – | II. Langsam | 0:53 |
| 22 | – | __ Mäßig Achtel | 6:58 |
| 23 | – | IV. Bewegt | 1:03 |
| 24 | – | 2. Fassung (Version) 1925 | 1:51 |
| 25 | CD2 __ 79:16 | ||
| 26 | – | __ Rote Messe | 1:47 |
| 27 | – | __ Heimfahrt | 2:16 |
| 28 | – | III. Sehr Rasch | 1:01 |
| 29 | – | II. Andante Amoroso | 6:26 |
| 30 | – | III. Sehr Langsam | 1:08 |
| 31 | – | V. Presto Delirando - Tenebroso | 5:06 |
| 32 | – | __ Parodie | 1:36 |
| 33 | – | VI. Largo Desolato | 6:44 |
| 34 | –Arnold Schönberg | Psalm 130 'De Profundis', Op. 50B , For A Cappella ChoirChoir – RIAS-KammerchorConductor – Günther Arndt | 5:51 |
| 35 | – | __ Serenade | 2:38 |
| 36 | – | 6. LiebesodeText By – Otto Erich Hartleben | 1:42 |
| 37 | –Anton Webern | Passacaglia For Orchestra, Op. 1 Conductor – Arthur RotherOrchestra – Radio-Symphonie-Orchester Berlin | 10:27 |
| 38 | – | 1. Unterm Schutz Von Dichten Blättergründen | 2:16 |
| 39 | – | IV. Gavotte. Moderato | 9:17 |
| 40 | –Arnold Schönberg | Five Piano Pieces, Op. 23 (1920/1923)Piano – Eduard Steuermann | (10:30) |
| 41 | –Arnold Schönberg | 'Das Buch Der Hängenden Gärten', Von Stefan George Für Ein Singstimme Und Klavier, Op. 15Piano – Hermann ReutterSoprano Vocals – Suzanne DancoText By – Stefan George | (27:45) |
| 42 | – | III. Langsam | 2:58 |
| 43 | – | __ Der Mondfleck | 1:00 |
| 44 | –Arnold Schönberg | Phantasy For Violin And Piano, Op. 47 Piano – Ernst KrenekViolin – Tibor Varga | 10:40 |
| 45 | – | __ Gemeinheit | 1:22 |
| 46 | – | 14. Sprich Nicht Immer Von Dem Laub | 0:49 |
| 47 | – | III. Allegro Misterioso - Trio Estatica | 3:13 |
| 48 | –Alban Berg | Seven Early Songs (1905-1908)Piano – Lothar BroddackSoprano Vocals – Magda Laszlo | (14:58) |
| 49 | – | I. Allegro Gioviale | 3:10 |
| 50 | –Arnold Schönberg | 'Pierrot Lunaire', Op. 21Clarinet, Bass Clarinet – Alfred BürknerConductor – Josef RuferFlute, Piccolo Flute – Hans-Peter SchmitzPiano – Klaus BillingText By – Albert GiraudViola – Walter Müller Violin – Hans BastiaanVioloncello – Werner HauptVocals [Sprechstimme] – Irmen Burmester | (36:21) |
| 51 | – | 5. Saget Mir, Auf Welchem Pfade | 1:19 |
| 52 | – | 7. Angst Und Hoffen Wechselnd Mich Beklemmen | 1:03 |
| 53 | – | 10. Das Schöne Beet Betracht Ich Mir Im Harren | 2:31 |
| 54 | –Arnold Schönberg | String Trio, Op. 45 Viola – Ernst DoberitzViolin – Erich RöhnVioloncello – Arthur Troester | 16:47 |
| 55 | – | 3. Die NachtigallText By – Theodor Storm | 1:49 |
| 56 | CD3 __ 76:41 | ||
| 57 | – | IV. Adagio Appassionato | 6:12 |
| 58 | – | __ Der Dandy | 1:21 |
| 59 | – | I. Mäßig | 1:21 |
| 60 | – | __ Der Kranke Mond | 2:18 |
| 61 | – | 5. Im ZimmerText By – Johannes Schlaf | 1:10 |
| 62 | – | II. Molto Allegro | 2:13 |
| 63 | – | Teil II __ Die Nacht | 2:28 |
| 64 | – | VI. Sehr Langsam | 1:18 |
| 65 | – | II. Adagio | 7:38 |
| 66 | – | V. Sehr Fließend | 1:25 |
| 67 | – | I. Sehr Langsam | 0:52 |
| 68 | – | 7. SommertageText By – Paul Hohenberg | 1:45 |
| 69 | – | 9. Streng Ist Uns Das Glück Und Spröde | 1:54 |
| 70 | – | IV. Fließend, Äußerst Zart | 0:38 |
| 71 | – | __ Raub | 1:23 |
| 72 | – | V. Walzer | 2:24 |
| 73 | – | __ Mäßig | 3:43 |
| 74 | – | Teil I __ Mondestrunken | 1:42 |
| 75 | – | __ Enthauptung | 2:23 |
| 76 | – | I. Ouverture. Largo - Allegro | 6:01 |
| 77 | – | 8. Wenn Ich Heut Nicht Deinen Leib Berühre | 0:49 |
| 78 | – | 4. Da Meine Lippen Reglos Sind Und Brennen | 1:24 |
| 79 | –Johann Strauss Jr. | 'Rosen Aus Dem Süden', Waltzer Op. 388 (1880/1921)Arranged By – Arnold SchoenbergEnsemble [String Quartet] – Bastiaan-QuartettHarmonium – Emil HammermeisterPiano – Klaus BillingViola [Bastiaan-Quartett] – Walter Müller Violin [Bastiaan-Quartett] – Hans Bastiaan, Johannes BlauVioloncello [Bastiaan-Quartett] – Werner Haupt | 11:25 |
| 80 | CD4 __ 67:37 | ||
| 81 | –Alban Berg | Lyric Suite For String Quartet (1925-1926)Ensemble [String Quartet] – Végh-QuartettViola [Végh-Quartett] – Georges JanzerViolin [I, Végh-Quartett] – Sándor VéghViolin [II, Végh-Quartett] – Sandor ZöldyVioloncello [Végh-Quartett] – Paul Szabo | (30:51) |
| 82 | – | II. Sehr Langsam | 1:22 |
| 83 | – | 3. Als Neuling Trat Ich Ein In Dein Gehege | 1:52 |
| 84 | –Arnold Schönberg | Suite In Olden Style For String Orchestra In G Major (excerpts)Conductor – Ferenc FricsayOrchestra – Berliner Philharmoniker | (22:56) |
| 85 | – | __ Gebet An Pierrot | 0:53 |
| 86 | – | III. Adagio | 7:37 |
| 87 | – | __ Die Kreuze | 2:20 |
| 88 | – | 13. Du Lehnst Wider Eine Silberweide | 1:35 |
| 89 | – | II. Rasch | 1:33 |
| 90 | – | __ Valse De Chopin | 1:37 |
| 91 | –Arnold Schönberg | Chamber Symphony, Op. 9 Conductor – Ferenc FricsayOrchestra – Mitgleider Des RIAS-Symphonie-Orchesters | 19:55 |
| 92 | – | __ Eine Blasse Wäscherin | 1:21 |
| 93 | – | II. Sehr Rasch | 1:15 |
| 94 | – | __ Madonna | 2:02 |
| 95 | – | IV. Schwungvoll. Mäßig Viertel | 1:36 |
| 96 | – | I. Sehr Langsam | 2:17 |
| 97 | – | __ Colombine | 1:58 |
| 98 | – | I. Andante | 4:33 |
| 99 | – | 1. Fassung (Version) 1907 | 0:57 |
| 100 | – | 1. NachtText By – Carl Hauptmann | 4:03 |
| 101 | – | 6. Jedem Werke Bin Ich Fürder Tot | 1:17 |
| 102 | – | III. Sehr Langsam Und Äußerst Ruhig | 1:46 |
| 103 | – | Teil III __ Heimweh | 2:10 |
| 104 | – | I. Sehr Ruhig Und Zart | 0:52 |
| 105 | – | 15. Wir Bevölkerten Die Abend-Düstern Lauben | 4:38 |
| 106 | – | __ O Alter Duft | 1:28 |
| 107 | –Arnold Schönberg | Phantasy For Violin And Piano, Op. 47Piano – Alan WillmanViolin – Rudolf Kolisch | 8:28 |
| 108 | – | V. Etwas Rasch | 0:39 |
| 109 | – | IV. Rasch, Aber Leicht | 0:23 |
| 110 | – | 2. Hain In Diesen Paradiesen | 1:35 |
| 111 | –Anton Webern | Five Pieces For Orchestra (Fünf Stücke Für Orchester), Op. 10 (1911/1913)Conductor – Bruno MadernaOrchestra – Radio-Symphonie-Orchester Berlin | (5:27) |
| 112 | – | IV. Langsam | 2:14 |
Credits
- Art Direction, Design – AB•Design
- Composed By – Alban Berg (tracks: CD3 [3-5 to 3-14]; CD4 [4-1 to 4-9]), Anton Webern (tracks: CD4 [4-10 to 4-19]), Arnold Schoenberg (tracks: CD1 [1-1 to 1-26]; CD2 [2-1 to 2-33]; CD3 [3-1 to 3-4]; CD4 [4-22]), Johann Strauss Jr. (tracks: CD4 [4-20 & 4-21])
- Cover [Photo: "Pierrot Lunaire" watercolor, 1924] – Paul Klee
- Liner Notes – Rudolf Stephan, Rüdiger Albrecht, Wolfgang Rathert
- Liner Notes [English Translation] – Viola Scheffel
Notes
These recordings of central works of the Viennese School, made between 1949 and 1965, are unique musical and historic documents. The first-rate interpreters predominantly come from the immediate circle around the composers, either as pupils of Schoenberg’s or as acquaintances of the composers. With this degree of authenticity and thanks to manifold interpretational approaches, this anthology offers comprehensive first-hand insights into the Second Viennese School.
© 2012 Ludger Böckenhoff
remastering:
℗ Ludger Böckenhoff, 2012
℗ 1949 - 1965 Deutschland Radio
Timings:
CD1 = 77:03
CD2 = 79:16
CD3 = 76:41
CD4 = 67:37
Recording History --
CD1 [1-21] Aufnahme: 3.+10.3.1949, Kleistsaal, Berlin
CD1 [22] Aufnahme: 10.1.1953, Jesus-Christus-Kirche, Berlin-Daylem
CD1 [23-26] Aufnahme: 6.2.1949, Titania-Palast, Berlin (Live-Mitschnitt)
CD2 [1] Aufnahme: 24.9.1951, RIAS Funkhaus, Berlin - Studio 7
CD2 [2-16] Aufnahme: 3.11.1955, RIAS Funkhaus, Berlin - Studio 7
CD2 [17] Aufnahme: 7.3.1958, Studio Lankwitz, Berlin
CD2 [18-31] Aufnahme: 18.6.1963, Studio Lankwitz, Berlin
CD2 [32-33] Aufnahme: 20.5.1951, RIAS Funkhaus, Berlin – Studio 7
CD3 [1] Aufnahme: 23.9.1957, RIAS Funkhaus, Berlin – Studio 7
CD3 [2-4] Aufnahme: 28.11.1949, Titania-Palast, Berlin (Live-Mitschnitt)
CD3 [5-10] Aufnahme: 10.11.1963, Studio Lankwitz, Berlin
CD3 [11-14] Aufnahme: 19.9.1953, RIAS Funkhaus, Berlin – Studio 7
CD4 [1-7] Aufnahme: 4.7.1958, RIAS Funkhaus, Berlin – Studio 7
CD4 [8-9] Aufnahme: 5.2.1960, RIAS Funkhaus, Berlin – Studio 7
CD4 [10] Aufnahme: 1.2.1965, Studio Lankwitz, Berlin
CD4 [11-15] Aufnahme: 5.12.1961, Studio Lankwitz, Berlin
CD4 [16-19] Aufnahme: 7.5.1958, RIAS Funkhaus, Berlin – Studio 7
CD4 [20-21] Aufnahme: 18.2.1950, Kleistsaal, Berlin
CD4 [22] Aufnahme: 28.8.1953, RIAS Funkhaus, Berlin – Studio 7 (Live-Mitschnitt) “Konzert des Amerika-Hauses”
4 CDs, each with its own plain black, round-windowed sleeve, all packaged inside a hinged box which includes a 92 page booklet with track listing, credits, song texts, and historical notes on the works in English and German.
Silver sticker on front of box - 1st Master Release / Original Tapes
Barcodes
- Barcode: 4 022143 214126
- Label Code: LC 04480
- Matrix / Runout (CD1): arvato digital services 55209518/21412CD1 21
- Mastering SID Code (CD1): IFPI LB47
- Matrix / Runout (CD2): arvato 55209518/21412CD2 21
- Mastering SID Code (CD2): IFPI LP 73
- Matrix / Runout (CD3): arvato 55209518/21412CD3 21
- Matrix / Runout (CD4): arvato 55209518/21412CD4 21
- Mastering SID Code (CD3, CD4): IFPI LB 45
- Mould SID Code (CD1, CD2, CD3, CD4): IFPI 0709
- Rights Society: GEMA
Companies
- Phonographic Copyright (p) – Ludger Böckenhoff
- Copyright (c) – Ludger Böckenhoff
- Phonographic Copyright (p) – Deutschlandradio
Album
These recordings of central works of the Viennese School, made between 1949 and 1965, are unique musical and historic documents. The first-rate interpreters predominantly come from the immediate circle around the composers, either as pupils of Schoenbergs or as acquaintances of the composers. With this degree of authenticity and thanks to manifold interpretational approaches, this anthology offers comprehensive first-hand insights into the Second Viennese School. 2012 Ludger Böckenhoff remastering: Ludger Böckenhoff, 2012. 1949 - 1965 Deutschland Radio. Rias Second Viennese Scho. has been added to your Cart. Buy Now. This 4-CD box set presents historic recordings of works by Schoenberg Berg and Webern in the era of their composition. Each recording made between 1949 and 1965 presents works composed between 1906 and 1950 illuminating interpretation of the New Viennese School as the movement was occurring and first understood. An invaluable historical resource as well as a sheer pleasure. The Second Viennese School German: Zweite Wiener Schule, Neue Wiener Schule is the group of composers that comprised Arnold Schoenberg and his pupils and close associates in early 20th-century Vienna, where he lived and taught, sporadically, between 1903 and 1925. Their music was initially characterized by late-Romantic expanded tonality and later, following Schoenberg's own evolution, a totally chromatic expressionism without firm tonal centre, often referred to as atonality and later still. American Libraries Canadian Libraries Universal Library Community Texts Project Gutenberg Biodiversity Heritage Library Children's Library. Open Library. The Second Viennese School as a historical concept, Joseph Auner - Musical culture in Vienna at the turn of the twentieth century, Margaret Notley - Wiener Moderne and the tensions of modernism, Dagmar Barnouw - Arnold Schoenberg, Bryan R. Simms - Alban Berg, David Schroeder - Anton Webern, Anne C. Shreffler - The legacy of the Second. Viennese School, Jonathan W. Alban Berg. Berlin Philharmonic Orchestra. Berlin Radio Symphony Orchestra. Berlin RIAS Chamber Ensemble. Berlin RIAS Symphony Orchestra. Siegbert Bienert. Klaus Billing. Anton Webern. Arranger, Composer. Alan Willman. Winfried Zillig. This fascinating anthology brings together recordings of works by Schoenberg, Berg and Webern made between 1949 and 1965 in the studios of RIAS, the west Berlin-based radio station. The Second Viennese School featuring composers Arnold Schoenberg, Alban Berg, and Anton Webern. Understanding atonality and 20th century and his school remain, for many, intensely controversial figures. For many others, they are just great composers, of great music, much of it too little performed. All three wrote sets of Orchestral Pieces, Bergs and Weberns very much in response to Schoenbergs, yet quite different, imbued with their own musical personalities. His next major project will be a critical study of Mozarts operas. The text in this article is available under the Creative Commons License. Modern music of The RIAS Second Viennese School Project - an anthology of music by Berg, Webern and Schoeinberg. Hot sale products. Hot sale in. The RIAS Second Viennese School Project - an anthology of music by Berg, Webern and Schoeinberg. Schoenberg, Berg, and Webern, modern composers living in Vienna near the turn of the 20th century, are examined in a broad artistic context illustrating how their works grew from earlier Viennese musical developments. Presenting a coherent analysis of a central school of modern musical composition, the essays compare the artists' music to that in the nonmusical arts in Vie Schoenberg, Berg, and Webern, modern composers living in Vienna near the turn of the 20th century, are examined in a broad artistic context illustrating how their works grew from earlier Viennese musical developments
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MP3 album size: 1211 mb
Style: Modern, Twelve-tone









