Pull My Daisy - You Turn Me On Album
Performer: Pull My Daisy
Genre: Rock
Title: You Turn Me On
MP3 album size: 1894 mb
FLAC album size: 2702 mb
Style: Punk, Glam
Country: Switzerland
Released: 1988
Label: Calypso Now
Tracklist
| 1 | Ac-Dc |
| 2 | I Met You In Church |
| 3 | Ugly Girl |
| 4 | Envoyé |
| 5 | I Can't Stand You |
| 6 | Captain Groovy And His Bubblegum Army |
| 7 | Boys Lie |
Versions
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| Shrinkhead 9 | Pull My Daisy | You Turn Me On (12", S/Sided, MiniAlbum, Tra) | The Bouncing Corporation | Shrinkhead 9 | Germany | 1988 |
Credits
- Engineer – Jean-Claude Pache
- Vocals, Bass – Karin
- Vocals, Drums – Esther
- Vocals, Guitar – Hotcha
Notes
'Music on enclosed free tape with bonus tracks at random' - officially released as a picture disc with free tape, the picture discs were handmade (poster glued on old records).
Side two of the cassette varies according to the mood of the day of the tape manufacturer. The tracks on the master in their order were:
- Hold Me (Spanish Version)
- Whole Lotta Love
- Um Allah
- Yasmina, A Black Woman
- Sexual Healing
- Race With The Devil
Usually it was copied from any starting track on until the cassette was full. No cassette contains all the tracks from side 2 due to the time limits.
Album
Формируйте собственную коллекцию записей Pull My Daisy. Продать эту версию. Pull My Daisy 2. You Turn Me On Cass, Ltd. Calypso Now. Текст песни: When you are dancing feel the beat. I wanna lead You on. You make me wanna feel the heat. Cause you Really turn me on. Still You Turn Me On Brain Salad Surgery, Emerson Lake and My Daisy 1959 is a short film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third. Pull My Daisy is a 1959 American short film directed by Robert Frank and Alfred Leslie, and adapted by Jack Kerouac from the third act of his play, Beat Generation. Kerouac also provided improvised narration. It features poets Allen Ginsberg, Peter Orlovsky and Gregory Corso, artists Larry Rivers and Alice Neel, musician David Amram, art dealer Richard Bellamy, Delphine Seyrig, dancer Sally Gross, and Pablo Frank, Robert Frank's son. At that moment, he felt that they had finally made it as a rock band. Source: Rush Visions: The Official Biography, by Bill Banasiewicz. Zabadak from London, EnglandBeautiful track from the Brain Salad Surgery album. The longtime bassist of Earth, Wind & Fire discusses how his band came to do a holiday album, and offers insight into some of the greatest dancesoul tunes of all-time. Early Days of MTVFact or Fiction. If you can recall the days when MTV played videos, you know that there are lots of stories to. Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation Kerouac also provided improvised narration. A Year of Film History Challenge 2019 watching a little bit of film history month by month, decade by decade - With appearances during the scene's 50s prime by Allen Ginsberg, Peter Orlovsky, Gregory Corso, and rambling freestyle narration provided by Jack Kerouac himself, Pull My Daisy is like a Beat Generation family album. Текст песни: Doctor, doctor, need you bad, hold me babe Doctor, doctor, where ya at give me something I need your love, I need your love, I need your loving You got that kind of medicine that keeps me album, which was repackaged and retitled Soul Serenade a year after its original release, catches Willie Mitchell in superb form, not only as an arranger but as a leader fronting a first-rate ensemble. Apart from a somewhat predictable chorus on Soulfinger, everything here has some subtlety in its presentation - details in the arrangements that surprise on repeated listening, and a crispness in the recording this is some of the best-sounding stereo soul music of its period that makes the repeated listening fun. Pull My Daisy is a poem by Allen Ginsberg, Jack Kerouac and Neal Cassady. It was written in the late 1940s in a similar way to the Surrealist exquisite corpse game, with one person writing the first line, the other writing the second, and so on sequentially with each person only being shown the line before. It provided the title for the film Pull My Daisy, which was narrated by Kerouac, and featured Ginsberg and other writers, artists and actors of the Beat Generation. It was based on an event in the life of Cassady. The poem also featured in a jazz composition by David Amram, wh
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