Orson Hentschel - Facades Album

Album

Facades by Orson Hentschel, released 26 January 2018 1. Facade I 2. Facade II Only six months after his sophomore album, which has showcased a tense repetition of short phrases, often building big, dramatic pieces starting with a single stuck-in-the-machine sound Decoder and an analogue cyber trip-hop of an impressive depth of focus as an acoustic furniture for an apocalypse lounge Groove, Hentschel returns with a two-piece EP showcasing yet another aspect of his musical spectrum. Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Purchasable with gift card. Buy Digital Album. Orson Hentschel is a german composer and producer based in Berlin. Starting to play classical piano at an early age, he now mainly composes electronic, experimental and film music. Influenced by classical minimal music Hentschel's sound is characterised by a large variety of musical structures which are often arranged in a contrasting way. Orson Hentschel: Facade I, Facade II, Tremoli и другие песни. Facade I. Orson Hentschel. Critic Score. free to Orson Hentschel Facades Facade I, Facade Ii. 2 tracks 14:13. His debut album will be released in 2016. Orson Hentschel is a German composer and producer based in Duesseldorf. Starting to play classical piano at an early age, h read more. German composer Orson Hentschel creates a stunning new album of experimental electronic music, Antigravity, filled with drones, noisey electro bits, and classical minimalism. Hear Antigravity in its entirety. Thus Orson Hentschel used the text in the same way as he uses any sound material - it is transformed into something else, it is being alienated. The spoken words are embedded in repetitive and minimal-minded electronic sound layers which even penetrate primordial technoid territories. However, sticking to his trademark long arcs of suspense, the listener has to wait until the last two minutes of the second track for the first, cathartic beat. Only six months after his sophomore album, Hentschel returns with a two-piece EP showcasing yet another aspect of his musical spectrum. While the first two albums featured only instrumental tracks, Facades are the first two pieces in which Orson Hentschel works with text as a main musical element for his composition, although he approaches vocals from a rather particular perspective. For Hentschel, the spoken word is always music and thus not di erent than any other instrumental input or sound layer. Consequently, he is only interested in the sound of the spoken words on Facades, but not in an. Orson Hentschel - Facade I. Only six months after his sophomore album, which has showcased a tense repetition of short phrases, often building big, dramatic pieces starting with a single stuck-in-the-machine sound Decoder and an analogue cyber trip-hop of an impressive depth of focus as an acoustic furniture for an apocalypse lounge Groove, Hentschel returns with a two-piece EP showcasing yet. another aspect of his musical spectrum