Merchandise - After The End Album

Tracklist

1	After The End Written-By – C. Cox	6:55
2	Telephone Written-By – C. Cox	4:05
3	Looking Glass Waltz Written-By – C. Cox	4:01
4	Corridor Written-By – D. Vassalotti	2:47
5	Green Lady Written-By – C. Cox	4:29
6	Exile And Ego Written-By – C. Cox	4:34
7	Life Outside The Mirror Written-By – D. Vassalotti	4:56
8	Enemy Written-By – C. Cox	4:30
9	True Monument Written-By – D. Vassalotti	4:59
10	Little Killer Written-By – C. Cox, D. Vassalotti	3:05

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
CAD3430	Merchandise	After The End ‎(LP, Ltd, Gre)	4AD	CAD3430	US	2014
none	Merchandise	After The End ‎(10xFile, MP3, Album, 320)	4AD	none	2014
CAD3430	Merchandise	After The End ‎(LP, Album)	4AD	CAD3430	US	2014
CAD3430CD	Merchandise	After The End ‎(CD, Album)	4AD	CAD3430CD	UK & Europe	2014
BGJ-10210	Merchandise	After The End ‎(CD, Album)	Hostess Entertainment Unlimited	BGJ-10210	Japan	2014

Credits

• Artwork [Cover Sculpture] – Frank Haines
• Bass – Patrick Brady
• Design [Layout Design] – Philip Laslett
• Drums, Percussion – Elsner Nino
• Guitar, Backing Vocals – Chris Horn
• Lead Guitar, Keyboards, Harmonium, Backing Vocals – David Vassalotti
• Lead Vocals, Guitar – Carson Cox
• Mastered By – Alex Wharton
• Mixed By – Gareth Jones
• Photography By [Sculpture] – Angelika Krinzinger
• Producer – Carson Cox, Merchandise

Notes

Issued in a digipak with a 12-panel foldout insert.

Mastered at Abbey Road

Track 7 contains an extract of the short film "Mona Lisa" by Toshio Matsumoto

℗&© 2014 4AD Ltd.

Barcodes

• Barcode: 652637343021
• Label Code: LC 05807
• Matrix / Runout: arvato 55845878/CAD3430CD 21
• Mastering SID Code: IFPI LP 73
• Mould SID Code: IFPI 0712

Companies

• Phonographic Copyright (p) – 4AD Ltd.
• Copyright (c) – 4AD Ltd.
• Pressed By – Arvato – 55845878
• Mastered At – Abbey Road Studios

Video

Album

After The End - Merchandise. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. After The End by Merchandise, released 25 August 2014 This record is not available for download on Bandcamp, but it can be found in every other digital platform, incl. MERCHANDISE 'After The End' CD 4AD - Digipack BEFORE YOU PLACE YOUR ORDER, PLEASE READ THE SHIPPING TERMS. ships out within 7 days. Buy Compact Disc. Album 2014 10 Songs. More By Merchandise. Totale Nite. A Corpse Wired for Sound. Begging for Your Life, In the City Light - EP. After the End is a studio album by Tampa, Florida group Merchandise, released on the 4AD label in free to Merchandise After The End Corridor, Enemy and more. 10 tracks 44:18. Floridian trio Merchandise establish an increasingly familiar pattern of self-reinvention on After the End, their third album and first for influential U. tastemakers 4AD. The cool, noisy post-punk of their last offering, 2013's Total Nite, has been jettisoned in favor of 2014's most referenced aesthetic: the late '80s. Between the cassette and mom-jeans revival and the myriad young acts aping everyone from the Smiths to Rick Astley, it would be easy to dismiss the Tampa Bay natives for buying into an increasingly visible trend. After The End. Released 2014. After The End - After the End. Clapham Junction. Beggars от лица компании 4AD AMRA, BMI - Broadcast Music Inc. Kobalt Music Publishing и другие авторские общества 1. Third album After The End - the bands first for 4AD - is that pop album. Not that we didnt get the warning frontman Carson Cox said in a press release, Were going to re-make ourselves as a pop band, but itll still be a twisted reality. He pretty much nailed it. After the End is a brighter and crisper album, yet in its songwriting still sometimes feels a lot like the group playing house shows and releasing self-made cassettes back in 2011. These are some hefty giants to stand on, but Merchandise seems to have had no trouble making the ascent. Similar Albums: Deerhunter Halcyon Digest A Sunny Day In Glasgow Sea When Absent The Smiths Meat Is Murder. After the End is a record that is so determinedly mild-mannered, it essentially amounts to a declaration of war: against dominant notions of cool, the act of hiding your feelings behind a wall of noise, and the idea that anti-pop experimentation is inherently more noble and challenging a practice than writing a simple, emotionally direct love song. But whether or not you accept Merchandises makeover, one thing is indisputable: This album sounds fucking fantastic. And remarkably, just like Merchandises previous releases, its a home recording. Most of the band live together in the same house, Monkees-style