Kodály, Istvan Kertesz, London Symphony Orchestra - Music Of Kodály Album

Tracklist
1 | Viennese Musical Clock |
2 | IntermezzoCimbalom – John Leach |
3 | Entrance Of The Emperor And His Court |
4 | Háry János Suite |
5 | Prelude - The Fairy Tale Begins |
6 | The Battle And Defeat Of Napoleon |
7 | Hej Két Tikom |
8 | Dances Of Galánta |
9 | SongCimbalom – John Leach |
10 | Szegény VagyokCimbalom – John Leach |
11 | Arias From "Háry János"Libretto By – Harsányi, Paulini Soprano Vocals – Olga Szönyi |
Versions
Category | Artist | Title (Format) | Label | Category | Country | Year |
---|---|---|---|---|---|---|
SXL 6136, SXL.6136 | Kodály, Istvan Kertesz, London Symphony Orchestra | Kodály, Istvan Kertesz, London Symphony Orchestra - Music Of Kodály (LP) | Decca, Decca | SXL 6136, SXL.6136 | UK | 1965 |
478 5987 | Kodály, Istvan Kertesz, London Symphony Orchestra | Kodály, Istvan Kertesz, London Symphony Orchestra - Music Of Kodály (CD, Album, RE, RM, Car) | Decca | 478 5987 | UK & Europe | 2013 |
HDTT1491 | Kodaly, Kertesz, London Symphony Orchestra | Kodaly, Kertesz, London Symphony Orchestra - Hary Janos Suite / Dances Of Galanta (CD) | High Definition Tape Transfers | HDTT1491 | US | Unknown |
SXL 6136, 009 6136 | Zoltán Kodály / The London Symphony Orchestra / István Kertész | Zoltán Kodály / The London Symphony Orchestra / István Kertész - Music Of Kodály (LP, Album, RE, 180) | Decca, Speakers Corner Records | SXL 6136, 009 6136 | Germany | Unknown |
LCL 80159 | Olga Szönyi, István Kertész, The London Symphony Orchestra, Zoltán Kodály | Olga Szönyi, István Kertész, The London Symphony Orchestra, Zoltán Kodály - Music Of Kodály (Reel, 4tr Stereo, 7" Reel, Album) | London Records | LCL 80159 | US | Unknown |
Credits
- Composed By – Kodály
- Conductor – Istvan Kertesz
- Engineer [Uncredited] – Kenneth Wilkinson
- Mastered By [Side A] – E
- Mastered By [Side B] – W
- Orchestra – London Symphony Orchestra
- Sleeve Notes, Producer [Uncredited] – Ray Minshull
Notes
LABELS:
- Black/silver Boxed Decca Logo
- "MADE IN ENGLAND " at 11 o'clock
- Matrix numbers printed right way up above cat.no.
1964 printed above matrix no.
SLEEVE:
- Front laminated
- No flipbacks
- Bold "STEREO" on spine
- "Printed in England by James Upton Ltd. Birmingham & London."
- "© 1964, The Decca Record Company Limited, London."
- "Laminated with 'Clarifoil' made by British Celanese Limited"
- Sleeve notes in English on back
CATALOG NUMBERS:
- SXL 6136 on sleeve
- SXL.6136 on labels
OTHER INFORMATION:
- Recorded 28 February - 2 March 1964 in Kingsway Hall, London
- Labelography code: ED2
- Corresponding mono issue has Category LXT 6136
Barcodes
- Matrix / Runout (Side 1): ZAL-6393-3W
- Matrix / Runout (Side 2): ZAL-6394-4W
- Matrix / Runout (Matrix on label - side A): ZAL.6393
- Matrix / Runout (Matrix on label - side B): ZAL.6394
Companies
- Recorded At – Kingsway Hall
- Mastered At – Decca Studios
- Pressed By – Decca Record Co. Ltd., Pressing Plant, UK.
- Printed By – James Upton Ltd.
- Copyright (c) – The Decca Record Company Limited
- Published By – Universal Edition
Video
Album
Julius Katchen, István Kertész, London Symphony Orchestra LSO, Marguerite Long. Chopin Piano Concertos Nos 1 & 2. Kodaly Hary Janos Suite and Arias, Dances of Galanta, The Peacock Variations. London Symphony Orchestra LSO, John Leach, István Kertész, London Symphony Chorus, Arthur Oldham, Olga Szőnyi. Mendelssohn Symphony No. 100 Hits - The Best Classical Album. London Symphony Orchestra, John Leach, István Kertész, London Symphony Chorus, Arthur Oldham, Olga Szőnyi. Dvořák: Symphonic Pohems. István Kertész, London Symphony Orchestra. Marius et Fanny. Various artists. London Symphony Orchestra LSO, István Kertész, Peter Ustinov, Erszebet Komlossy - Chicken Song: Hej két tikom tavali. London Symphony Orchestra LSO, István Kertész, Peter Ustinov, Zsolt Bende - Bombazine's Song: A jó lovas katonátak. London Symphony Orchestra LSO, István Kertész, Brighton Festival Chorus, Wandsworth School Boys Choir, Lajos Kozma - Mikoron Dávid nagy búsultában. London Symphony Orchestra LSO, István Kertész, Brighton Festival Chorus, Lajos Kozma - Keserusegem. 2010 Decca Music Group Ltd. Kodaly: Orchestral Works. London Symphony Orchestra, Philharmonia Hungarica, István Kertész, Antal Dorati 01-01-2010. Общая длительность:4 h 54 min. Háry János Suite : Prelude the fairy tale begins. Philharmonia Hungarica. Композиторы: Zoltan Kodaly. Háry János Suite : Viennese musical clock. Peter Ustinov, London Symphony Orchestra, István Kertész -Kodály: Háry János, Singspiel in 5 Scenes, - original version - Act 1 - The Old Woman. Peter Ustinov, London Symphony Orchestra, István Kertész -Kodály: Háry János, Singspiel in 5 Scenes, - original version - Act 1 - The Jewish Family. Peter Ustinov, Edinburgh Festival Chorus, London Symphony Orchestra, István Kertész -Kodály: Háry János, Singspiel in 5 Scenes, - original version - Act 1 - The Hungarian Girls. London Symphony Orchestra - Joyful Music for Christmas - Продолжительность: 37:04 Classical. 2:06: to music from London Symphony Orchestra Istvan Kertesz like Serenade in D. Find the latest tracks, albums, and images from London Symphony Orchestra Istvan Kertesz. Track name. Viennese Musical Clock - Zoltán Kodály, István Kertész, The London Symphony Orchestra. Song - Zoltán Kodály, István Kertész, The London Symphony Orchestra. The Battle And Defeat Of Napoleon - Zoltán Kodály, István Kertész, The London Symphony Orchestra. Intermezzo - Zoltán Kodály, István Kertész, The London Symphony Orchestra. Entrance Of The Emperor And His Court - Zoltán Kodály, István Kertész, The London Symphony Orchestra. Dances Of Galánta - Zoltán Kodály, István Kertész, The London Symphony Orchestra. Szegény Vagyok - Zoltán Kodály, István Kertész, The London Symphony Orche. London Symphony Orchestra: Founded in 1904, is a British Orchestra and the oldest of London's symphony orchestras. It was set up by a group of players who left Henry Wood's Queen's Hall Orchestra because of a new rule requiring players to give the orchestra their exclusive services. The LSO itself later introduced a similar rule for its members. From the outset the LSO was organised on co-operative lines, with all players sharing the profits at the end of each season. This practice continued for the orchestra's first four decades
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