Karl Berger - We Are You Album

Tracklist

1	Marimba Dance	2:50
2	Easy	6:20
3	We Are You (II) Lyrics By – G. Malerba, Karl H. Berger	2:38
4	Easy Suite	18:08
5	When I Sing Lyrics By – Tagore	9:10
6	Vibes First	5:50
7	We Are You (I) Lyrics By – G. Malerba, Karl H. Berger	5:16
8	The Positive Lyrics By – Sivananda Sarasvati	9:03

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
ENJA CD 6060-2	Karl Berger	We Are You ‎(CD, Album, RE)	Enja Records	ENJA CD 6060-2	Germany	1990
PA-7017	Karl Berger	We Are You ‎(LP, Album)	Trio Records	PA-7017	Japan	1972
CAL 30607	Karl Berger	We Are You ‎(LP, Album, TP, W/Lbl)	Calig	CAL 30607	Germany	1972

Credits

• Artwork [Cover Art], Design – Carolyn Clarck
• Bass – Peter Kowald
• Composed By – Karl H. Berger
• Drums, Percussion – Allen Blairman
• Photography By – Horace , Ica Vilander, Tai M. Lüdicke
• Vibraphone, Piano, Marimba – Karl Berger
• Vocals, Percussion – Ingrid Berger

Notes

Recorded November 1971, Tonstudio Bauer, Ludwigsburg

Catalog nr. on label: CAL 30 607

Barcodes

• Matrix / Runout (A): ST-CAL 30607-A
• Matrix / Runout (B): ST-CAL 30607-B1
• Rights Society: GEMA

Companies

• Recorded At – Tonstudio Bauer

Video

Album

Songs in album Karl Berger - We Are You 1972. Karl Berger - A2 - We Are You I. Karl Berger - A1 - Vibes First. Karl Berger - A3 - Marimba Dance. Karl Berger - A4 - The Positive. Karl Berger - B1 - Easy Suite: When I Sing. Karl Berger - B2 - Easy Suite: Easy. Karl Berger - B3 - Easy Suite: We Are You II. Listen free to Karl Berger We Are You Vibes First, We Are You I and more. 7 tracks 41:07. Do you know any background info about this album Start the wiki. Karl Heinz Berger born March 19, 1935 in Heidelberg, Germany is a musicologist with a PhD in Music Esthetics, jazz composer, jazz vibraphonistvibraphone and jazz pianopiano player. Together with Ornette Coleman and Ingrid Sertso he read more. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Vibraphone, Piano, Marimba Karl Berger Bass Peter Kowald Drums, Percussion Allen Blairman Vocals, Percussion Ingrid Berger Recorded November to Karl Berger Radio featuring songs from We Are You free online. Слушать бесплатное интернет-радио, спорт, музыку, новости, разговорное и подкасты. События в прямом эфире, трансляции игр NFL, MLB, NBA, NHL, университетских команд и матчи Премьер-лиги. CNN, MSNBC, Fox News, ESPN, BBC, NPR. Спорт, музыка, новости и подкасты. Слушайте аудиоконтент, который для вас наиболее важен. A1 Vibes First 5:50 A2 We Are You I 5:16 A3 Marimba Dance 2:50 A4 The Positive 9:03 Easy Suite 18:08 B1 When I Sing 9:10 B2 Easy 6:20 B3 We Are You II 2:38. Bass Peter Kowald Drums, Percussion Allen Blairman Vibraphone, Piano, Marimba Karl Berger Vocals, Percussion Ingrid Berger. About this release. Calig CAL 30607Germany. Karl Hans Berger born March 30, 1935 in Heidelberg, Germany is a jazz pianist, composer, and educator. Berger played piano in Germany when he was ten and worked in his teens at a club in Heidelberg. He learned modern jazz from visiting American musicians, such as Don Ellis and Leo Wright. During the 1960s, he started playing vibraphone and received a doctoral degree in musicology. He worked as a member of Don Cherry's band in Paris. When the band went to New York City to record Symphony for. buy album. Karl Berger. Help improve the We Are You page. All About Jazz musician pages are maintained by musicians, publicists and trusted members like you. Interested Tell us why you would like to improve the We Are You musician page. Karl Berger vibraphone, piano, marimba. Peter Kowald bass. Allen Blairman drums, percussion. Ingrid Berger vocals, percussion. The thing that struck me as unusual about Karl Berger when I first heard him playing at the Mercer Arts Center in the 1970s was how much at home he sounded with some of the best young players in the New York jazz scene. Strongly influenced by Monk and Ornette, Karl Berger created a sound of his own, at once airy and precise, harmonically advanced yet anchored in a destinctive hard swing. He counterbalanced the inherently rich overtone range of the vibraphone by removing accidentally at first the vibrato mechanism