Johann Hermann Schein, Weser-Renaissance, Manfred Cordes - Israels Brünnlein Album

Tracklist

1	Der Herr Denket An Uns	3:45
2	O Herr, Ich Bin Dein Knecht	3:10
3	Ich Bin Jung Gewesen	3:03
4	Psalm 91: »Cymbalum Sionium« 1615	8:45
5	Die Mit Tränen Säen	3:24
6	Ich Bin Die Wurzel Des Geschlechtes David	3:32
7	Ihr Heiligen, Lobsinget Dem Herren	3:33
8	Zion Spricht: Der Herr Hat Mich Verlassen	4:49
9	Ach Herr, Ach Meiner Schone	3:05
10	Unser Leben Währet Siebnzig Jahr	3:19
11	Siehe An Die Werk Gottes	3:20
12	Drei Schöne Ding Sind	3:49
13	Nun Danket Alle Gott	3:58
14	Lieblich Und Schöne Sein Ist Nichts	3:30
15	Ist Nicht Ephraim Mein Teurer Sohn	4:21
16	Israelsbrünnlein, Part 1
17	O, Herr Jesu Christe	3:31
18	Wem Ein Tugendsam Weib Bescheret Ist	2:58
19	Israelsbrünnlein, Part 2 • Psalm 91
20	Israelsbrünnlein 1623
21	Siehe, Nach Trost War Mir Sehr Bange	3:38
22	Wende Dich, Herr, Und Sei Mir Gnädig	3:58
23	Was Betrübst Du Dich, Meine Seele	4:46
24	Dennoch Bleibe Ich Stets An Dir	2:52
25	Herr, Laß Meine Klage	2:54
26	Da Jakob Vollendet Hatte	4:35
27	Lehre Uns Bedenken	3:37
28	Ich Lasse Dich Nicht	2:36
29	Freue Dich Des Weibes Deiner Jugend	3:39
30	Ich Freue Mich Im Herren	2:38

Credits

• Composed By – Johann Hermann Schein
• Conductor – Manfred Cordes
• Cover, Painting – Nicolo Dell' Abate
• Design – Lothar Bruweleit
• Engineer – Klaus Schumann
• Ensemble – Weser-Renaissance
• Executive-Producer – Burkhard Schmilgun, Helmut Schaarschmidt
• Recording Supervisor, Edited By, Mastered By [Premastering] – Renate Wolter-Seevers
• Technician [Recording Assistant] – Christoph Romanowski

Barcodes

• Barcode: 761203995929
• Label Code: LC 8492
• SPARS Code: DDD
• ASIN: B0002J9TVK
• Rights Society: GEMA

Album

Listen free to Johann Hermann Schein Weser-Renaissance, Manfred Cordes Israels Brünnlein Israelsbrünnlein, 1623: O Herr, ich bin dein Knecht, Israelsbrünnlein, 1623: Freue dich des Weibes deiner Jugend and more. 27 tracks 101:18. Johann Hermann Schein: Israels Brünnlein. Israels Brünnlein. Release group by Johann Hermann Schein Weser-Renaissance, Manfred Cordes. 2 CD. DE2004-09-13. Classic Produktion Osnabrück. Release group information. Artist . Israels Brünnlein 1623. inproceedingsSchein2004IsraelsB1, title Israels Brunnlein 1623, author Johann Hermann Schein and Weser-Renaissance Bremen and Manfred Cordes, year 2004 . Johann Hermann Schein, Weser-Renaissance Bremen, Manfred Cordes. Published 2004. Save to Library. Create Alert. Launch Research Feed. Посмотреть сведения об участниках альбома, рецензии, композиции и приобрести альбом 2016 CD от Geystliches Gesangk Buchleyn: Martin Luthers Lieder на Hermann Schein 20 January 1586 19 November 1630 was a German composer of the early Baroque era. He was born in Grünhain and died in Leipzig. He was one of the first to import the early Italian stylistic innovations into German music, and was one of the most polished composers of the period. On the death of his father, Schein moved to Dresden where he joined the choir of the Elector of Saxony as a boy soprano. In addition to singing in the choir, he received a thorough musical training with. Schein: Israels Brünnlein. has been added to your Cart. Buy Now. Johann Hermann Schein Composer, Konrad Junghänel Conductor, Cantus Cölln Performer & 0 more Format: Audio CD. Johann Hermann Schein was a German composer of the early Baroque era. He was born in Grünhain, January 20, 1586, and. Ensemble Weser Renaissance Bremen Songtext: Wer unter dem Schirm des Höchsten sitzt und unter dem Schatten des Allmächtigen bleibet, der spricht zu dem Herrn. Johann Hermann Schein 1586-1630 - Intrada from Banchetto Musicali Ars Antigua, directed by Jerry Fuller, formed a 5 part renaissance string band for this p. Johann Hermann Schein: German composer of the early Baroque era. In Filli schönen Augelein, So da, mein liebes Brüderlein, The God Whom Earth and Sea and Sky и другие песни. Johann Hermann Schein January 20, 1586 November 19, 1630 was a German composer of the early Baroque era. Biography On the death of his father, Schein moved to Dresden where he joined the choir of the Elector of Saxony as a boy soprano. In addition to singing in the choir, he received a thorough musical training with Rogier Michael, the Kapellmeister, who recognized his extraordinary talent