Jim Hall Trio - The Complete "Jazz Guitar" Album

Tracklist

1	Stella By Starlight Composed By – Washington, Young	4:00
2	Seven Come Eleven Bass – Red MitchellComposed By – Goodman, ChristianGuitar – Jim HallPiano – Carl Perkins	4:36
3	Deep In A Dream Bass – Red MitchellComposed By – De-Lange, Van HuesenGuitar – Jim HallPiano – Carl Perkins	4:35
4	Things Ain't What They Used To Be Bass – Red MitchellComposed By – EllingtonGuitar – Jim HallPiano – Carl Perkins	5:48
5	Too Close For Comfort Bass – Red MitchellGuitar – Jim HallPiano – Carl Perkins	4:31
6	Look For The Silver Lining Bass – Red MitchellComposed By – DeSylva, KernGuitar – Jim HallPiano – Carl Perkins	5:08
7	This Is Always Bass – Red MitchellComposed By – Warren, GordonGuitar – Jim HallPiano – Carl Perkins	2:51
8	9:20 Special Bass – Red MitchellComposed By – Warren, EngvickGuitar – Jim HallPiano – Carl Perkins	5:45
9	Stompin' At The Savoy Bass – Red MitchellComposed By – Goodman, Webb, SampsonGuitar – Jim HallPiano – Carl Perkins	4:38
10	Thanks For The Memory Bass – Red MitchellComposed By – Robin, RaingerGuitar – Jim HallPiano – Carl Perkins	5:19
11	Tangerine Bass – Red MitchellComposed By – Mercer, SchertzingerGuitar – Jim HallPiano – Carl Perkins	4:32

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
1227	Jim Hall Trio	Jazz Guitar ‎(LP, Album, Mono)	Pacific Jazz	1227	US	1957
TOCJ-50032	Jim Hall Trio	Jazz Guitar ‎(CD, Album, Mono, Ltd, RE, RM)	Pacific Jazz	TOCJ-50032	Japan	2010
GXF-3115(M), PJ-1227	Jim Hall Trio	Jazz Guitar ‎(LP, Album, Mono, Ltd, RE)	Pacific Jazz, Pacific Jazz	GXF-3115(M), PJ-1227	Japan	1978
37120	Jim Hall	Jazz Guitar ‎(LP, Album, RE, 180)	Jazz Images	37120	Europe	2019
883 271 JCY	Jim Hall	The Winner! ‎(LP, Album)	Fontana	883 271 JCY	Netherlands	1964

Credits

• Bass – Red Mitchell
• Guitar – Jim Hall
• Liner Notes – Jimmy Giuffre
• Photography By [Cover Photo] – William Claxton
• Piano – Carl Perkins
• Producer – Richard Bock

Notes

Recorded Los Angeles, January 10 & 24, 1957.

Barcodes

• Barcode: 8436563180798

Video

Album

Jazz Guitar - Jim Hall Trio. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Album 2008 16 Songs. More by Jim Hall Trio. Blues On The Rocks. Deep In a Dream. Jazz Guitar Original Album Plus Bonus Tracks 1957. Best of Jim Hall Trio. Classics - Jim Hall Trio. All My Succes. My Best Songs. Featured On. Jazz Vintage. Midnight Mood. West Coast Jazz Essentials. Albums You May Also Like. Jazzpar Quartet 4. Jim Hall. Jim Hall Trio. Peter Bernstein & Joachim Schoenecker. Listen free to Jim Hall Trio The Complete 'Jazz Guitar' Stompin' At the Savoy, Things Ain't What They Used to Be and more. 16 tracks 77:22. To favorites 1 Download album. Listen album. Songs in album Jim Hall - Jazz Guitar 1957. Jim Hall - Stomping At The Savoy. Jim Hall - Things Ain't What They Used To Be. Jim Hall - Thanks For The Memory. Jim Hall - Tangerine. Jim Hall - Stella By Starlight. Jim Hall - 9:20 Special. Jim Hall - Deep In A Dream. Jim Hall - Look For The Silver Lining. Jim Hall - Seven Come Eleven. Of course, the removed song, This Is Always, was nowhere to be found. riferendosi a Jim Hall Trio - The Complete Jazz Guitar, CD, Comp, RM, 69259. A terrific debut album by Jim Hall, who would go on to make many memorable recordings during his long career. Jim Hall was an American jazz guitarist, composer, and arranger. His discography consists of 39 studio albums, 10 live albums, 1 EP, 1 single, 10 videos, and 22 compilations, all released between 1957 and 2016. In addition, he was a sideman on numerous albums by other artists. 1957: Jazz Guitar Pacific Jazz reissued in 1964 with overdubbed drums as The Winner Fontana. Also reissued in 2014 as disc 2 of the 10-disc collection Jazz Guitar: Ultimate Collection, Vol. 1 Documents. The master Jim Hall was a very prolific recorded output in his lifetime: from a duo and trio up to wider ensembles. Here are Jim Hall's best albums. Check out the Brazilian inflected Beija Flor for a taste of what I think might be Halls best recorded guitar tone. He was still playing his DAquisto at this point. A masterclass in phrasing, colour, and nuance with elements of controlled free playing on tracks like REM State