Jethro Tull - Minstrel In The Gallery Album
Tracklist
| 1 | Grace | 0:37 |
| 2 | Baker St. Muse | (16:40) |
| 3 | Mother England Reverie | |
| 4 | Cold Wind To Valhalla | 4:17 |
| 5 | One White Duck / 0¹º = Nothing At All | 4:35 |
| 6 | Requiem | 3:41 |
| 7 | Crash-Barrier Waltzer | |
| 8 | Nice Little Tune | |
| 9 | Pig-Me And The Whore | |
| 10 | Black Satin Dancer | 6:51 |
| 11 | Minstrel In The Gallery | 8:09 |
Versions
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| CHR.1082, CHR 1082 | Jethro Tull | Minstrel In The Gallery (LP, Album) | Chrysalis, Chrysalis | CHR.1082, CHR 1082 | UK | 1975 |
| ZCHR 1082 | Jethro Tull | Minstrel In The Gallery (Cass, Album) | Chrysalis | ZCHR 1082 | UK | 1975 |
| CHR 1082 | Jethro Tull | Minstrel In The Gallery (LP, Album, Club) | Chrysalis | CHR 1082 | US | 1975 |
| 89.399-I, 89399 I | Jethro Tull | Minstrel In The Gallery (LP, Album, RE) | Chrysalis, Chrysalis | 89.399-I, 89399 I | Spain | 1980 |
| CHR 1082 | Jethro Tull | Minstrel In The Gallery (LP, Album) | Chrysalis | CHR 1082 | Canada | 1975 |
Credits
- Arranged By [Arrangements For Orchestra] – David Palmer
- Artwork – J. Garnett, R. Kriss
- Bass Guitar, Double Bass [String Bass] – Jeffrey Hammond-Hammond
- Cello – Katharine Thulborn
- Conductor – David Palmer
- Drums, Percussion – Barriemore Barlow
- Electric Guitar – Martin Barre
- Engineer – Robin Black
- Photography By – Brian Ward
- Piano, Organ – John Evan
- Producer – Ian Anderson
- Violin – Bridget Procter, Elizabeth Edwards, Rita Eddowes
- Violin [Leader] – Patrick Halling
- Vocals, Acoustic Guitar, Flute – Ian Anderson
- Written-By [All Compositions] – Ian Anderson
- Arranged By, Conductor – David Palmer
- Artwork By [Front Cover] – J. Garnett, R. Kriss
- Bass [Bass Guitar], Double Bass [String Bass] – Jeffrey Hammond-Hammond
- Cello – Katharine Thulborn
- Drums, Percussion – Barriemore Barlow
- Engineer – Robin Black
- Guitar [Electric] – Martin Barre
- Leader [Violins] – Patrick Halling
- Photography – Brian Ward
- Piano, Organ – John Evan
- Violin – Bridget Procter, Elizabeth Edwards, Rita Eddowes
- Vocals, Acoustic Guitar, Flute, Producer, Written-By – Ian Anderson
- Artwork By [Front Cover] – J. Garnett, R. Kriss
- Bass [Bass Guitar], Double Bass [String Bass] – Jeffrey Hammond-Hammond
- Cello – Katharine Thulborn
- Conductor – David Palmer
- Drums, Percussion – Barriemore Barlow
- Engineer – Robin Black
- Guitar [Electric] – Martin Barre
- Leader [Violins] – Patrick Halling
- Photography – Brian Ward
- Piano, Organ – John Evan
- Producer – Ian Anderson
- Violin – Bridget Procter, Elizabeth Edwards, Rita Eddowes
- Vocals, Acoustic Guitar, Flute – Ian Anderson
- Written-By [All Compositions] – Ian Anderson
- Written-By [Arrangements For Orchestra] – David Palmer
Notes
Recorded and mixed somewhere in Europe by the Maison Rouge mobile studio.
Front Cover Artwork based on a print by Joseph Nash.
Made and printed in France by Glory - 92604 Asnières
On this release the pressed of the front cover and the cover back are rotated.Recorded and mixed somewhere in Europe by the Maison Rouge mobile studio.
Front Cover Artwork based on a print by Joseph Nash.Recorded and mixed somewhere in Europe by the Maison Rouge mobile studio.
Front Cover Artwork based on a print by Joseph Nash.
Repress on white Chrysalis label.
Plain white inner sleeve.
No barcode
(P) 1975 Chrysalis Records Ltd.Mispress 2x Side B
Barcodes
- Rights Society (Printed on label): SACEM SACD SDRM SGDL
- Price Code: Ⓨ
- Matrix / Runout (Runout side A): MPO WEA CHR-1082 31922-C
- Matrix / Runout (Runout side B): MPO WEA CHR-1082 31923-C
- Matrix / Runout (Runoff A): CHR 1082 A-4-U-1-1 [stamped]
- Matrix / Runout (Runoff B): CHR 1082 B3 [handwritten]
- Matrix / Runout (Side A runout): PV-41082-A5-1K (other runout data scratched out)
- Matrix / Runout (Side B runout): PV-41082-B (other runout data scratched out)
- Matrix / Runout (Side A label): 31,922
- Matrix / Runout (Side B label): 31,923
- Price Code: 0698
- Matrix / Runout (A-side etched): CHR-1082 B 31923 - EG 2
- Matrix / Runout (B-side etched): CHR-1082 B 31923 - EG 2
Companies
- Record Company – Chrysalis Records
- Manufactured By – Columbia House
- Produced For – Five Star Records Ltd.
- Phonographic Copyright (p) – Chrysalis Records
- Copyright (c) – Chrysalis Records
- Recorded At – La Maison Rouge
- Mixed At – La Maison Rouge
- Record Company – Warner Communications
- Phonographic Copyright (p) – Chrysalis Records
- Produced For – Five Star Records Ltd.
- Distributed By – WEA Filipacchi Music
- Recorded By – La Maison Rouge
- Mixed At – La Maison Rouge
- Made By – Glory, Asnières
- Printed By – Glory, Asnières
- Pressed By – MPO
- Phonographic Copyright (p) – Chrysalis Records Ltd.
- Copyright (c) – Five Star Publishing Ltd.
- Produced For – Five Star Records Ltd.
- Mastered At – Gedmal Galvanic Ltd.
- Published By – Five Star Publishing Ltd.
- Recorded At – La Maison Rouge
- Printed By – Robor Ltd.
Video
Album
0 out of 5 stars Jeffrey Hammond-Hammond's last album with Jethro Tull - and his only live recording finally released. He met the gazes -- observed the spaces between the old men's in the Gallery was Tull's most artistically successful and elaborately produced album since Thick as a Brick and harked back to that album with the inclusion of a 17-minute extended piece Baker Street Muse. He polarized the pumpkin-eaters - static-humming panel-beaters - freshly. He met the gazes -- observed the spaces between the old men's in the Gallery is the eighth studio album by British band Jethro Tull, released in September 1975. Other recordings might be worthy of wider attention, but are mistakenly circumvented due to the fact that theyre either too. Cold Wind to Valhalla 8:11 3. The band also returned to the blend of electric and acoustic pieces, in a manner closer to their early '70s albums such as Benefit 1970, Aqualung 1971 and Thick as a Brick 1972, and for the first time since their two concept. Verified Purchase. Minstrel in the Gallery was Tull's most artistically successful and elaborately produced album since Thick as a Brick and harked back to that album with the inclusion of a 17-minute extended piece Baker Street Muse. The album has been expanded to include the b-side Summerday Sands, several studio outtakes, and alternate session material recorded for a BBC broadcast. Although English folk elements abound, this is really a hard rock showcase on a par with - and perhaps even more aggressive than - anything on Aqualung. Minstrel In The Gallery is a music studio album recording by JETHRO TULL Prog FolkProgressive Rock released in 1975 on cd, lp, vinyl andor cassette. He brewed a song of love and hatred - oblique suggestions - and he waited. Minstrel in the Gallery. 发布日期 1975. Jethro Tull. Many recordings that seem rather projective of future greatness or that contain one or two fleeting moments of inspiration are often categorized as such. Type Album. The band also returned to the blend of electric and acoustic pieces, in a manner closer to their early '70s albums such as Benefit 1970, Aqualung 1971 and Thick as a Brick 1972, and for the first time since their two concept albums of Thick as a Brick 1972 and A Passion Play 1 read more. The band also returned to the blend of electric and acoustic pieces, in a manner closer to their early '70s albums such as Benefit 1970, Aqualung 1971 and Thick as a Brick 1972, and for the first time since their two concept. Black Satin Dancer 12:28 4. Minstrel in the Gallery is the eighth studio album by British band Jethro Tull, released in September 1975. 出版公司 Capitol Records. side one: 1. Jethro Tull Format: Audio CD. The Minstrel in the Gallery looked down upon the smiling faces. He met the gazes - observed the spaces between the old mens cackle. Ищете треки из альбома Minstrel In The Gallery исполнителя Jethro Tull Тогда заходите на наш сайт - слушайте музыку онлайн и скачивайте бесплатно. He met the gazes -- observed the spaces between the old men's February 1975 Jethro Tull sold out five nights at the 20,000-seater Los Angeles Forum, prompting the Melody Maker to run the headline Jethro Now The Worlds Biggest Band Indeed the venues became so huge that by 1976 Tull had become one of the first bands to use giant screens for stadium shows nicknamed Tull-A-Vision. The title track is a superb showcase for the group, freely mixing folk melodies, lilting flute passages, and archaic, pre-Elizabethan feel, and the fiercest electric rock in the group's history - parts of. Well, its revived here on Minstrel in the Gallery, Jethro Tulls latest concept-as-after-thought entry in the fall record sweepstakes. The band also returned to the blend of electric and acoustic pieces, in a manner closer to their early '70s albums such as Benefit 1970, Aqualung 1971 and Thick as a Brick 1972, and for the first time since their two concept albums of Thick as a Brick 1972 and A Passion Play 1 read more. And although, accompanied only by. The title track is a superb showcase for the group, freely mixing folk melodies, lilting flute passages, and archaic, pre-Elizabethan feel, and the fiercest electric rock in the group's history - parts of. One White Duck010 Nothin. Minstrel in the Gallery is the eighth studio album by British band Jethro Tull, recorded in April and released in September 1975. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей. Requiem 19:18 side two: 1. Minstrel In The Gallery. Review Summary: Minstrel in the Gallery finds Jethro Tull establishing a middle ground between the disparate musical directions found on their two most recognizable works, 'Aqualung' and 'Thick as a Brick'. Album Name Minstrel in the Gallery. Minstrel In The Gallery Lyrics Performed by Jethro Tull. Review The Song 0 Send. Текст песни: The Minstrel in the Gallery looked down upon the smiling faces. Only for completionists 0. Minstrel in the Gallery: First half has Anderson and his acoustic guitar tunelessly intoning nonsense about pumpkin-eaters and various other non-sequiturs, then an instrumental section that sounds like an out-take from A Passion Play, then a rock version of Anderson intoning tunelessly the precise same nonsensical lyrics. Minstrel in the Gallery 0:00 2. Cold Wind to Valhalla. The album goes in a different direction from their previous work War Child 1974, with the orchestration being replaced by a string quartet conducted by David Palmer. Minstrel In The Gallery - Jethro Tull. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. The fact that Ian Anderson and the lads have once again plundered the British secular music tradition signifies little and delivers less. Minstrel in the gallery. Anderson, still holding to a self-consciously bizarre musical stance, has difficulty maintaining the center of attention with his mannered vocals, irrepressible flute and acoustic guitar. The term 'under-rated gem' is often an abused, over-used and undeserved descriptive. Jethro Tull - Minstrel In The Gallery 1975. Ian Anderson. In February 1975 Jethro Tull sold out five nights at the 20,000-seater Los Angeles Forum, prompting the Melody Maker to run the headline Jethro Now The Worlds Biggest Band Indeed the venues became so huge that by 1976 Tull had become one of the first bands to use giant screens for stadium shows nicknamed Tull-A-Vision. Band Name Jethro Tull. Cold Wind to Valhalla Steven Wilson Stereo Remix. The album goes in a different direction from their previous work War Child 1974, with the orchestration being replaced by a string quartet conducted by Dee Palmer. The minstrel in the gallery looked down upon the smiling faces. Minstrel in the Gallery was Tull's most artistically successful and elaborately produced album since Thick as a Brick and harked back to that album with the inclusion of a 17-minute extended piece Baker Street Muse. Fan-tastic Reviewed in the United States on May 23, 2015
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MP3 album size: 2885 mb
Style: Classic Rock









