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James Plotkin · Mick Harris - Collapse Album

James Plotkin · Mick Harris - Collapse Album
Performer: James Plotkin · Mick Harris
Genre: Electro
Title: Collapse
MP3 album size: 1597 mb
FLAC album size: 1902 mb
Style: Dark Ambient, Experimental
Country: US
Released: 1996
Catalog number: ASP 0963
Label: Asphodel, Sombient

Tracklist


1Momentum11:58
2Dissolve9:50
3Collision10:29
4Drench14:41
5Collapse19:24

Credits


  • Created By, Guitar [Looped Guitar], Sounds [Natural And Unnatural], Effects [Processing]Plotkin, Harris
  • DesignIkue Mori
  • Mastered ByMixture 151
  • Photography ByAnthony Burnham

Notes


Digipak packaging. Total time: 66:18
DIGIPAK® manufactured under license from AGI Incorporated.

Recorded at the Black Box during summer and winter 1995.
All tracks © James Plotkin/Mick Harris.
Mastered @ the Compound, San Francisco.

Thanks to Erik, Naut and Mitzi, Antonym.

©&℗ 1996 Sombient. Manufactured by Asphodel.
Printed in Canada.

Barcodes


  • Barcode: 7 53027 09632 6
  • Matrix / Runout: W.O. 108026-2 S.O. ASP0963 DISC MFG., INC
  • Mastering SID Code: IFPI L803
  • Mould SID Code: IFPI 2F65

Companies


  • Recorded At – The Box
  • Mastered At – The Compound, San Francisco
  • Manufactured By – Asphodel
  • Pressed By – Disc Manufacturing, Inc. – 108026
  • Phonographic Copyright (p) – Sombient
  • Copyright (c) – Sombient
  • Copyright (c) – James Plotkin
  • Copyright (c) – Mick Harris

Video

Album


2019 г. James Plotkin Mick Harris Collapse Label: Asphodel ASP 0963, Sombient ASP 0963 Format: CD, Album Country: US Released: 1996 Genre: Electronic Style: Dark Ambient, Minimal, Experimental. 1 Momentum 11:58 2 Collision 10:29 Ambient Experimental Minimal. James Plotkin , Mick Harris. Songs in album Collapse 1996. James Plotkin ft. Mick Harris - Momentum. Mick Harris - Collision. Mick Harris - Collapse. Mick Harris - Drench. Mick Harris - Dissolve. Listen free to James Plotkin & Mick Harris Collapse Momentum, Collision and more. 5 tracks 66:16. In 1995, OLD guitarist James Plotkin, and former Napalm DeathPainkiller percussionist Mick Harris got together in Harris Black Box studio to record Collapse, a beatless, ambient instrumental album using looped guitar and a variety of processed sound sources. The result is a growling, low frequency set of five abrasive drone pieces in the spirit of seminal Kraut rockers Kluster. Or consider a donation Hide Ads. Contributions By. Become a Donor Donor badge, no ads more benefits. Hide Ads. All tracks James PlotkinMick Harris. Mastered the Compound, San Francisco. Thanks to Erik, Naut and Mitzi, Antonym. 5 demonic, dark, brooding monsters lurking in the Superb album but not for the faint hearted. Responder Notifique-me 1 Helpful. 2 de junho de 2012. On the SCORN Evanescence tour, JIM PLOTKIN would leave guitar loops hanging in the air after soundchecks, and clearly, at some point, MICK HARRIS, then around his second LULL outing, saw how his dark dystopian sound would combine well with these drifting loops. James Plotkin, Pimmon - Split Series 8 - 2000. James Plotkin - KurtlanmakDamascus - 2006. James Plotkin - Indirmek - 2007. Collaborative releases. James Plotkin & Mick Harris - Collapse - 1996. James Plotkin & Mark Spybey - A Peripheral Blur - 1999. James Plotkin & Brent Gutzeit - Mosquito Dream - 1999. Mick Harris and James Plotkin much cooperations. This is mutual dark ambient product, genial evil atmosphere yours leisure. Interesting CD . Like everything Plotkin produced in the early to mid 90's, this album is a wall of sound. I wouldn't describe this as white noise, but rather primitive rumblings layered through with mellow guitar-inspired intonations. There's definitely a primal appeal to this album. Best enjoyed through headphones- sit back, go slack, and your brain stem will thank you. Read more. Collision - James Plotkin & Mick Harris. CD04 - Polar Shift Mick Harris Remix - James Plotkin. Momentum - James Plotkin & Mick Harris. Polar Shift Mick Harris Remix - James Plotkin. Collapse - James Plotkin & Mick Harris. James Plotkin began his musical career as the guitarist for grindcore trio . with vocalist Alan Dubin and an ever-changing menagerie of drummerbassists. Toward the end of his lengthy existence with that act, Plotkin had already started a new career as a bold and outrageous avant garde musician who built otherworldly collages of metal-dance music such as Clinton StreetDead Soul Surfing
PanshyR
one of the best dark ambient cd's out there...underrated...not to be missed
Ericaz
5 demonic, dark, brooding monsters lurking in the darkness....beware!!!
Superb album but not for the faint hearted.
Sorryyy
On the SCORN "Evanescence" tour, JIM PLOTKIN would leave guitar loops hanging in the air after soundchecks, and clearly, at some point, MICK HARRIS, then around his second LULL outing, saw how his dark dystopian sound would combine well with these drifting loops. And sometime later they collaborated to create this Midnight In The Necropolis collection of driftworks. It's kinda difficult to tell where JIM's loops end and MICK's noise manipulations begin. But then that's not really the point to this album. You might say that, as with the HARRIS / LASWELL collab which appeared a little time later, this is an extension of the LULL project with the artist supplying MICK with the source material to blacken and corrupt. The loops and effects which go to make up these soundscapes are joined not only by guitar, but by human voice, indiscernably drowning in electronic vortex; what sounds like location recordings made in some railway station in the cold, lonely early hours.
As with the other dark ambient - or as THE WIRE called it "Isolationist" - music which has appeared from the stygian depths of MICK's Birmingham laboratory, this sound ranges from vibrant walls of swirling, churning noise to low, subtle, almost shy tones which fade in and out of the Eternal Night. It's nowhere near as subtle as many of the LULL pieces - the title track, for instance, has a central phasing spine which is blatantly lo-tech, and sounds not unlike ANOTHER HEADACHE sped up a tad.

Originally reviewed for Soft Watch.
The Apotheoses of Lacspor
A collection of immensely massive and haunting soundspheres, where the sparse textures swirl and blend with the heavy drones. Dark ambient in its purest form.
Discussed
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