Entombed - DCLXVI To Ride, Shoot Straight And Speak The Truth Album

Tracklist

1	Rehearsal Demo 1996-01-15
2	Just As Sad	1:52
3	To Ride, Shoot Straight And Speak The Truth	3:12
4	They	4:06
5	Like This With The Devil Written-By – N. Andersson	2:26
6	Damn Deal Done	3:26
7	Boats	3:07
8	Somewhat Peculiar	3:21
9	Demo 1994/1996
10	Put Me Out Vocals – Uffe CederlundWritten-By – U. Cederlund	2:27
11	Put Me Out Written-By – U. Cederlund	2:28
12	Parasight	2:50
13	Uffe's Horrorshow	1:19
14	Demo 1994
15	Ms. Anthropic Written-By – L. Rosenberg, N. Andersson	5:50
16	Damn Deal Done Written-By – A. Hellid, N. Andersson, U. Cederlund	4:06
17	Live At Hultsfred Festival 1999
18	Wreckage Mixed By – Mike FraserWritten-By – N. Andersson	4:02
19	Rough Mix 1996
20	DCLXVI	1:43
21	Wreckage	4:01
22	Demo 1996
23	Mike Fraser Mix 1996
24	To Ride, Shoot Straight And Speak The Truth Written-By – A. Hellid, N. Andersson	3:17
25	Lights Out	3:36
26	Wound	2:44
27	Like This With The Devil	2:12
28	Boats Mixed By – Mike FraserWritten-By – A. Hellid	3:15
29	Somewhat Peculiar Written-By – A. Hellid	3:41
30	Boats Written-By – A. Hellid	3:17
31	Just As Sad Vocals – Nicke AnderssonWritten-By – N. Andersson	2:03
32	Hollywood Babylon Written-By – Misfits	2:24
33	Parasight Written-By – A. Hellid, N. Andersson	2:45
34	Just As Sad Written-By – N. Andersson	2:01
35	Put Me Out	2:23

Credits

• Arranged By – Entombed, Tomas Skogsberg
• Artwork [2014, For CSV], Design [2014, For CSV], Layout [2014, For CSV] – Anthony Woods
• Artwork [2014, For Guerilla Art], Design [2014, For Guerilla Art], Layout [2014, For Guerilla Art] – Dick Aschenbrenner
• Artwork [2014, For Moist], Design [2014, For Moist], Layout [2014, For Moist] – David Elfström Lilja
• Artwork [2014, For Muse Entity], Design [2014, For Muse Entity], Layout [2014, For Muse Entity] – Alex Hellid
• Artwork [2014, For www.stlskr.se], Design [2014, For www.stlskr.se], Layout [2014, For www.stlskr.se] – Adam Holmqvist
• Artwork, Design – Alex Hellid, Engine Studio, Guerilla Art, Nicke Andersson
• Backing Vocals – Entombed
• Bass – Jörgen Sandström
• Coordinator [2014, Project Co-ordination, At Clear Sound & Vision] – Danny Sperling
• Drums, Percussion – Nicke Andersson
• Edited By [2014], Sequenced By [2014], Mastered By [2014], Remastered By [2014] – Sören Von Malmborg
• Engineer – Bertil Karlsson (tracks: D7), Henke Henriksson (tracks: D7)
• Featuring [Air Guitar] – Andrew Shit Lindström
• Guitar – Alex Hellid, Monster Cederlund
• Harmonica [Harmonica Man] – Peder Criss
• Legal [Legal Representation] – Clintons, Peter Button
• Management [2014, Project Management, For Entombed/Threeman Recordings] – Alex Hellid, Dave Thorne
• Management [2014, Project Management, For PledgeMusic] – Julian Huntly
• Management [2014, Project Management, For PlegeMusic] – Tom Burgess
• Management [Accounting] – O. J. Kilkenny & Co, Pat Savage
• Management [Manager] – Dave Thorne
• Mastered By – Peter In de Betou
• Other [2014, Packaging, Printing & Manufacturing] – Anthony Woods , Karen Jolly
• Percussion [Shaker] – Hubbe The Bartender
• Performer [Feedback Noise] – Nicke Andersson
• Performer [Handdrill] – Monster Cederlund
• Photography By – Neil Rapi
• Photography By [2014, Original B/W Studio Photography] – Ola Bergman
• Photography By [2014] – Alex Hellid, Mattias Bardå, Neil Rapi
• Piano – L-G Petrov
• Producer – Tomas Forsell (tracks: D7)
• Producer, Recorded By, Engineer, Mixed By – Entombed, Tomas Skogsberg
• Technician [Assisted By] – Fred Estby
• Technician [Live Sound] – Steve Gurney
• Vocals – L-G Petrov

Notes

Part of the Threeman reissue crowdfunding campaign from June 2013. Backers only version on dark blue vinyl.

Gatefold sleeve.

Tracks A1 to B7 recorded at Sunlight studios, Stockholm, in the summer of 1996.
Tracks C1 to C3 recorded and mixed at Sunlight Studio 1994.
Tracks C4 to C6 recorded and mixed January 15th, 1996 at the practice room in Solna, Stockholm.
Track C7 recorded and (un)mixed at Sunlight Studio summer of 1996.
Tracks D1 to D4 recorded and mixed at Sunlight Studio 1994 and 1996.
Tracks D5 to D6 recorded at Sunlight Studio 1996. Mixed at Little Mountain Studio, Vancouver, Canada, 1996.
Track D7 recorded by Swedish Radio at Hultsfred Festival 1999.

All songs published by Threeman Music Publishing administered by BMG Chrysalis
except tracks C1, C3, C4, C6, C7, D1 to D3, D5, D7 Copyright Control (N. Andersson).

Printed on the labels:
℗ & © 1998, 2014, Threeman Recordings.

Printed on the inner sleeve:
℗ 2014 Threeman Recordings © 2014 Threeman Recordings

Printed on the back cover:
℗ 1997, 2014 Threeman Recordings © 1997, 2014 Threeman Recordings
Issued in the Territory under exclusive license from Threeman Recordings.
Distributed by SPV GmbH, in Europe and Prosthetic Records LLC, in North America.

Barcodes

• Barcode: 8 27565 06046 7
• Matrix / Runout (Side A): 116619E1/A
• Matrix / Runout (Side B): 116619E2/A
• Matrix / Runout (Side C): 116619E3/A
• Matrix / Runout (Side D): 116619E4/A

Companies

• Licensed From – Threeman Recordings
• Distributed By – SPV GmbH
• Distributed By – Prosthetic Records, LLC
• Phonographic Copyright (p) – Threeman Recordings
• Copyright (c) – Threeman Recordings
• Pressed By – GZ Media – 116619E
• Published By – Threeman Music Publishing
• Published By – BMG Chrysalis
• Published By – Copyright Control
• Recorded At – Sunlight Studios
• Recorded At – Entombed Practice Room, Solna, Stockholm
• Recorded At – Hultsfredsfestivalen
• Mixed At – Sunlight Studios
• Mixed At – Little Mountain Sound Studios
• Edited At – Cosmos Mastering
• Mastered At – Cosmos Mastering
• Remastered At – Cosmos Mastering
• Printed By – Clear Sound And Vision
• Manufactured By – Clear Sound And Vision

Album

To Ride, Shoot Straight and Speak the Truth - Entombed. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. DCLXVI: To Ride, Shoot Straight and Speak the Truth is the fourth album by the Swedish metal band Entombed, released in 1997. DCLXVI is 666 in Roman numerals. The cover art features a statuette of the Aztec god Mictlantecuhtli. This album shows a continuation of the death 'n' roll sound previously established on 1993's Wolverine Blues, but eschews most traces of hardcore and traditional death metal in favor of a stoner rock and garage rock influenced sound. Entombed's Full Fourth Album, DCLXVI Roman Numeral for 666: To Ride, Shoot Straight, and Speak the Truth. Recorded in 1996, but released in 1997, To - DCLXVI. Entombed - Kick Out The Jams MC5 Cover. Entombed - To Ride, Shoot Straight And Speak The Truth 1997. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. Entombed is a death metal band from Stockholm, Sweden which formed in 1989 after the dissolution of Nihilist. Though Entombed began their career as an early pioneer of Scandinavian death metal, by the early 1990s their sound had broadened to include hard rock and other influences. Entombed's debut album was Left Hand Path, a cult favorite that established the band as a popular death metal band. The follow-up, Clandestine, was just as popular. Thes read more. Completa la tua Collezione su Entombed. This is a brilliant album from Entombed Now Entombed A. Taking their Death N' Roll to new heights. Originally titled: DCLXVI 666, DCLXVI was still eventually used in the sub title of the album. Music videos were made for Damn Deal Done and Wreckage. The tracklist goes the same for the first CD. The second disc includes the following tracks: To Ride, Shoot Straight And Speak The Truth 1994 demo Like This With The Devil 1994 demo Just As Sad 1994 demo Put Me Out 1994 demo Kick Out The Jams MC5 cover Tear It Loose Twisted Sister cover 21st Century Schizoid Man King Crimson cover Bursting Out Venom cover Satan The Dwarves cover . DCLXVI: To Ride, Shoot Straight and Speak the Truth. Released October 28, 1997. DCLXVI: To Ride, Shoot Straight and Speak the Truth Tracklist. To Ride, Shoot Straight And Speak The Truth Lyrics. If anything, the turmoil has added depth to their music, making the best moments of To Ride cut deeper than before. Musically, not much has changed, though the band has turned up the gain on their guitars a bit and play with less discipline than they did on Wolverine Blues