Elbow - The Take Off And Landing Of Everything Album

Tracklist

1	Real Life (Angel)	6:47
2	The Blanket Of Night	4:24
3	This Blue World	7:13
4	My Sad Captains	6:00
5	New York Morning	5:19
6	Charge	5:16
7	The Take Off And Landing Of Everything	7:11
8	Honey Sun	4:56
9	Fly Boy Blue / Lunette	6:23
10	Colour Fields	3:42

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
3754769	Elbow	The Take Off And Landing Of Everything ‎(2xLP, Album)	Fiction Records	3754769	Europe	2014
3754768	Elbow	The Take Off And Landing Of Everything ‎(CD, Album)	Fiction Records	3754768	Canada	2014
3754767	Elbow	The Take Off And Landing Of Everything ‎(CD, Album)	Fiction Records	3754767	Indonesia	2014
3754768	Elbow	The Take Off And Landing Of Everything ‎(CD, Album, Dig)	Fiction Records	3754768	Australia	2014
3754768	Elbow	The Take Off And Landing Of Everything ‎(CD, Album, Dlx, Dig)	Fiction Records	3754768	South East Asia	2014

Credits

• Alto Saxophone – Pete McPhail (tracks: 4)
• Arranged By [Strings and Horns] – Guy Garvey
• Baritone Saxophone – Pete McPhail (tracks: 3, 4)
• Bass – Pete Turner
• Cello – Dale Culliford (tracks: 2, 5, 6), Jane Hallett (tracks: 2, 5, 6), Simon Turner (tracks: 2, 5, 6)
• Double Bass – Beatrice Schirmer (tracks: 2, 5, 6), Daniel Storer (tracks: 2, 5, 6), Rachel Meerloo (tracks: 2, 5, 6)
• Drums – Richard Jupp
• Engineer – Danny Evans
• Engineer [Assistant At Real World] – José Tomaz Gomes
• Guitar – Mark Potter
• Keyboards – Craig Potter
• Mastered By – Tim Young
• Mixed By – Craig Potter
• Music By – Elbow
• Orchestrated By [Scored By] – Chris Worsey (tracks: 2, 5)
• Producer – Craig Potter
• Sopranino Saxophone, Clarinet – Pete McPhail (tracks: 3)
• Trumpet – Bob Marsh (tracks: 7), Katharine Curlett (tracks: 4, 7), Tim Barber (tracks: 4, 7)
• Viola – Chris Emerson (tracks: 2, 5, 6), Julian Mottram (tracks: 2, 5, 6), Piero Gasparini (tracks: 2, 5, 6)
• Violin – Caroline Abbott (tracks: 2, 5, 6), Elizabeth Bosworth (tracks: 2, 5, 6), Grania Royce (tracks: 2, 5, 6), John Purton (tracks: 2, 5, 6), Julia Hanson (tracks: 2, 5, 6), Paulette Bayley (tracks: 2, 5, 6), Rosemary Attree (tracks: 2, 5, 6), Steven Proctor (tracks: 2, 5, 6), Zoe Colman (tracks: 2, 5, 6)
• Violin [Leader] – Lyn Fletcher (tracks: 2, 5, 6)
• Vocals – Guy Garvey (tracks: 2, 5, 6)
• Vocals [Additional Vocals] – Jimi Goodwin (tracks: 4)
• Words By – Guy Garvey (tracks: 2, 5, 6)

Barcodes

• Barcode: 8 88072 35323 7

Companies

• Phonographic Copyright (p) – Polydor Ltd. (UK)
• Copyright (c) – Polydor Ltd. (UK)
• Licensed To – Concord Music Group, Inc.
• Produced At – Blueprint Studios
• Mixed At – Blueprint Studios
• Recorded At – Blueprint Studios
• Recorded At – Real World Studios
• Recorded At – Elbow Rooms
• Mastered At – Metropolis Studios

Video

Album

The Take Off and Landing of Everything is the sixth studio album by English rock band Elbow, released in the UK, Europe, and Australia through Fiction Records and Polydor Records on 10 March 2014 and in the US on Concord Records on 11 March 2014. Originally recorded with the working title of All at Once and then renamed Carry Her, Carry Me after a line in closing track The Blanket of Night, the band changed their mind shortly before the album's release and settled on naming the album after one of. 2014 г. New album 'The Take Off and Landing of Everything' out now. SIA Best Songs New Playlist 2020 - Greatest HIts Full Album Of SIA - Продолжительность: 43:16 Top Pop Hits Recommended for you. Elbow - My Sad s sixth record, it was the bands first UK number 1, on its way to a Gold certification in the country. New York Morning and Charge were both released as singles, with both receiving music videos, and Charge earning a limited Record Store Day release on 7 inch vinyl. The album could be considered a break-up record, with Garveys relationship with Emma Jane Unsworth ending during production. He admitted that some of the lyrics had to be changed as a result. The lyrics are incredibly dense and layered with meaning. The inspiration for lead single New York Morning was a trip Garvey. As with their multi-platinum fourth album, The Seldom Seen Kid and platinum follow-up build a rocket boys, the album was produced by Craig Potter. The Take Off and Landing of Everything is released by Concord, Fiction Records on March 11th. Elbow recorded their sixth album at Real World Studios, making the connection between themselves and Peter Gabriel plain. Much of this connection comes from the husky, subdued rasp of lead singer Guy Garvey, but the band on a whole favors a similar kind of accessible art rock where the textures are lucid yet elliptical while the songs are sturdy and melodic, wearing their accouterments well. This blend helped make 2011's Build a Rocket Boys into a sizable hit in their native Britain and throughout Europe, but The Take Off and Landing of Everything is better still, demonstrating that the. Elbow released their sixth studio album on 10th March to almost universal acclaim. Louder Than War's Fergal Kinney agrees - read on to find out why. Though those hoping for a wild sonic departure wont find it here, The Take Off and Landing of Everything is Elbows most innovative album in nearly a decade and is the sound of a band subverting the expectations of a band of their size, creating a slow burning masterpiece of subtle experimentation and confessional proclamation. The brooding album opener This Blue World is a cinematic soundscape of sweeping arpeggios and owes much to the prog-influence prevalent on their first two records. The triumph of The Take Off and Landing of Everything largely lies in the group's decision to alter the process by which they compose their material. Relegating the songwriting to individuals, rather than writing as a collective, has done wonders as the album shows remarkable consistency when likened to the act's previous offerings. Elbow partially recorded the new album in Real World Studios, which makes their kinship with Peter Gabriel's output unquestionable at this point. Not only does the music have the same elegant, gentlemanly flair to it, but also frontman Guy Garvey's resonant baritone bears a striking resemblance to the evocative rasp of Gabriel. Certainly, Elbow's sixth album sounds like the work of a band who've realised a mass audience loves them not for the big hit, but for what they really are, however improbable that seems: the stages trod by Rihanna and Coldplay and Michael Bublé are not really supposed to ring to the sound of a resolutely unglamorous prog-influenced band who seem. to have taken as their musical starting point the gauzy textures and soulfully bruised but resolutely English vocals of Genesis's 1974 track The Carpet Crawlers. Instead of pushing obvious buttons, The Take Off and Landing of Everything concentrates on what Elbow do best. 10 tracks 57:11