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Dwight Ashley - Four Album

Dwight Ashley - Four Album
Performer: Dwight Ashley
Genre: Electro
Title: Four
MP3 album size: 2856 mb
FLAC album size: 2191 mb
Style: Illbient, Abstract, Ambient
Country: US
Released: 15 Jan 2005
Catalog number: AMC04002
Label: Nepenthe Music

Tracklist


1Holes Within Holes7:04
2The Mighty Fallen Rust In The Sun9:29
3The Art Of Standing5:09
4Best Of Times4:02
5Stranded II (No. 2)8:06
6Machina Ex Deus3:24
7I Swallowed A Thousand Saws7:58
8I Saw A Thousand Swallows8:03

Credits


  • Composed By, Performer, Producer, Guitar, Synthesizer [Synthesizers], Keyboards [Casio M10 & M30, Yamaha C3], Effects [Eventide, Lexicon]Dwight Ashley
  • Design [Graphics]Chris Hoffman , Paula Ashley
  • Photography ByBruce Works

Notes


Recorded at The Rectangle - Autumn 2003 through Spring 2004.

Digipak packaging.

Barcodes


  • Barcode (Scanned): 825346744322
  • Barcode (Text): 8 25346 74432 2

Companies


  • Phonographic Copyright (p) – Jealous Entropy Publishing
  • Copyright (c) – Dwight Ashley
  • Made By – Disc Makers

Album


A startling, deeply absorbing sonic journey, FOUR confirms Dwight Ashley's dedication to resolutely modern, and sometimes dark and disturbing, expressionist principles. Like the paintings of Francis Bacon or the films of David Lynch, Ashley creates a world inhabited by highly aestheticized surfaces, shadowed figures, and sharply colored landscapes. Dwight Ashley. Four, 2005. I Saw a Thousand Swallows, 08:05. Machina Ex Deus, 03:26. Stranded II No. The Art of Standing, 05:11. Holes Within Holes, 07:06. I Swallowed a Thousand Saws, 08:00. Listen free to Dwight Ashley Four I Saw A Thousand Swallows, Machina Ex Deus and more. 11 tracks 53:47. Nepenthe Music & Publishing Release Date: January 2, 2005 Genre: Ambient, Electronic, Post-Industrial, Neo-Expressionist Track Count: 8 Running Time: 53 minutes Catalog No. AMC04002 Expressionism gives primacy to the emotions. Dwight Ashley finds refuge in a surreal world of sound. His frostbound expressionism is smooth, concentrating more on texture, tone and atmosphere than with narrative. His recorded work is dark, nuanced and separate artistic visions - yet, once connected by the listener, form something real in and of itself. Untitled - Dwight Ashley. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Исполнитель: Dwight Ashley. 2005 easy listening. Другие версии. Exclusive discount for Prime members. Sample this album Artist Sample. I truly enjoy leaving this particular MP3 album on as I am going to sleep, it not only creates great ambiance, but it sets the tempo for peaceful dreams. Read more. One person found this helpful. This album has an average beat per minute of 81 BPM slowestfastest tempos: 0137 BPM. Album starts at 69BPM, ends at 0BPM -69, with tempos within the 0-137BPM range. Try refreshing the page if dots are missing. Tracklist Four. I Saw a Thousand Swallows. 69 BPM. Hillbilly Deluxe is the second album by country music singer-songwriter, Dwight Yoakam. Released in 1987, it was Yoakam's second consecutive 1 album on the Billboard Country Albums chart. Four tracks were released as singles with each becoming Top 10 hits on the Hot Country Singles chart in 1987 and 1988. With the success of his debut album Guitars, Cadillacs, Etc. which hit 1 on the Billboard country albums chart, Yoakam emerged as one of country music's hottest stars. Aided by producer and. Try it Ashley. Sign-up for news alerts for this artist. I want the Amoeba Newsletter too. Sort By: Release Date Label Album Title Price High to Low Price Low to High. View: listing image. Page: of. Album Title
Melipra
"Expressionism gives primacy to the emotions. It is an explorative, subjective awareness of anxiety, sordidness, and disorder beneath surface order, well-being, and beauty." - John C. and Dorothy L. Crawford, Expressionism in 20th Century Music

These opening lines from a textbook describing an often overlooked and less understood artistic movement of the early 20th century are a startlingly apt description of the recent release by composer Dwight Ashley, Four.

Nearly a hundred years after the seminal works of such expressionist composers as Arnold Schoenberg and Charles Ives, Ashley has taken the ambient/electronic sound palette and produced a nakedly neo-expressionistic reinterpretation of the genre that is at once exquisitely beautiful and profoundly disturbing.

Beneath the deliciously gorgeous surface serenity of Ashley's compositions is an edgy discordance that suggests all is not well in this otherwise pretty world. A subtle intimation of malaise on Four's ethereal first track progresses into detachment, alienation, and finally psychosis in subsequent tracks, culminating in an arresting, hallucinatory dirge that sounds eerily like the soundtrack to an execution.

If there were any question concerning Ashley's intent to provide the listener with a psychologically provocative experience, the cover art for Four - a colorless, mangled hand jutting forth from a bucolic backdrop, where distorted clouds intimate something about to go awry - leaves no doubt. True to expressionist principles, Ashley has crafted his music to seduce listeners into travelling through his psyche, and in turn, their own.
Discussed
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