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DJ Hud - Modulation & Filtering Techniques - Modular Moog Edition 1967 Album

DJ Hud - Modulation & Filtering Techniques - Modular Moog Edition 1967 Album
Performer: DJ Hud
Genre: Electro
Title: Modulation & Filtering Techniques - Modular Moog Edition 1967
MP3 album size: 2187 mb
FLAC album size: 1852 mb
Style: Hardcore, Techno, Acid, Ambient
Country: US
Released: 1993
Catalog number: Analog 3
Label: Analog Records USA

Tracklist


1Untitled
2Colorline
3Untitled
4Voice
5Modual 911A

Versions


CategoryArtistTitle (Format)LabelCategoryCountryYear
Analog 03DJ Hud Modulation & Filtering Techniques - Modular Moog Edition 1967 ‎(12")Analog Records USAAnalog 03US1993

Notes


Blank white labels, most record information is taken from the runout grooves.

Barcodes


  • Matrix / Runout (A-Side Runout Etching): ANALOG 3 Logo Side 1. COLORLINE 2. VOICE 3. MODUAL 911A FAX: 612-488-2270 - MINNESOTA, USA
  • Matrix / Runout (B-Side Runout Etching): ANALOG 3 Other Side 5 VARIATIONS BY D.J. Hud "tomorrows music with yesterdays Modular Systems". Thanx to Köln Germany - London - Paris - Pappy O'Brian - Robert Moog - ARP
  • Matrix / Runout (Runout Etching Both Sides): Stickman Figure
  • Matrix / Runout (A-Side Runout Etching): NSC (in circle)

Companies


  • Mastered At – National Sound Corporation

Video

Album


8 tracks 23:55. Category: Electronic. Thanx to Köln Germany - London - Paris - Pappy O'Brian - Robert Moog - ARP. Matrix, Runout Runout Etching Both Sides: Stickman Figure. Matrix, Runout A-Side Runout Etching: NSC in circle. Disc IDs. Cover Art 0. Additional details. Type: Album. Status: Official. Language: English. Script: Latin. 35 Format: MP3 FLAC VOC AHX APE VQF WAV MPC MOD FLAC size: 1412 mb MP3 size: 1156 mb WMA size: 1513 mb. Genre: Electronic. Download links. Barcode and Other Identifiers. Matrix, Runout A-Side Runout Etching: ANALOG 3 Logo Side 1. COLORLINE 2. VOICE 3. MODUAL 911A FAX: 612-488-2270 - MINNESOTA, USA. Matrix, Runout B-Side Runout Etching: ANALOG 3 Other Side 5 VARIATIONS BY D. Hud tomorrows music with yesterdays Modular Systems. No Potential Threat. The page does not contains any audio, text, video media material, protected by copyright law and does not contains any. Moog Modular V. Just better. The Moog synthesizer gained wider attention in the music industry after it was demonstrated at the Monterey International Pop Festival in 1967. 1967, through contacts at the Columbia-Princeton Center, Moog met Walter Carlos, a recording engineer at New York's studio Gotham Recording and a former student of Vladimir Ussachevsky. Carlos was then building an electronic music system and began ordering Moog modules. Synthesizers, and especially the original Moog modular, were amongst the most important new musical instruments of the 20th century. Not only were the sounds these machines made completely original, but the technology behind them led to a flood of entirely new music styles. But this was still a long way from being the kind of Moog user's support group web site we might expect if a similar product appeared today. Isao Tomita's 1975 album Snowflakes Are Dancing is a more flamboyant Moog performance of music by Debussy
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