Bach - Steven Isserlis - The Cello Suites Album

Tracklist

1	Gigue	2:27
2	Cello Suite No 1 In G Major, BWV 1007	(16:11)
3	Prelude	3:31
4	Sarabande	3:33
5	Courante	3:26
6	Sarabande	3:56
7	Prelude	2:29
8	Gavotte I - Gavotte II	4:27
9	Prelude	3:43
10	Prelude	4:33
11	Allemande	3:19
12	Prelude From Suite No 1 (From The Collection Of Johann Christoph Westphal)	2:29
13	Cello Suite No 3 In C Major, BWV 1009	(19:46)
14	The Song Of The Birds (Catalan Folksong) Arranged By – Sally BeamishWritten-By – Traditional	2:44
15	Courante	2:44
16	Allemande	3:27
17	Cello Suite No 6 In D Major, BWV 1012	(27:26)
18	Gigue	2:37
19	Menuet I - Menuet II	3:19
20	Gigue	3:06
21	Gavotte I - Gavotte II	3:09
22	Gigue	1:41
23	Allemande	2:33
24	Allemande	5:30
25	Prelude	5:55
26	Sarabande	2:46
27	Bourée I - Bourée II	3:17
28	Cello Suite No 2 In D Major, BWV 1008	(17:27)
29	Courante	3:22
30	Sarabande	3:55
31	Gigue	4:03
32	Sarabande	4:35
33	Prelude	3:24
34	Courante	1:59
35	Courante	2:30
36	Prelude From Suite No 1 (From The Johann Peter Kellner Manuscript)	2:21
37	Prelude From Suite No 1 (From The Anna Magdalena Manuscript)	2:24
38	Menuet I - Menuet II	2:45
39	Allemande	7:37
40	Allemande	3:22
41	Bourée I - Bourée II	4:42
42	Gigue	2:32
43	Cello Suite No 5 In C Minor, BWV 1011	(24:06)
44	Courante	2:01
45	Cello Suite No 4 In E Flat Major, BWV 1010	(21:35)
46	Sarabande	3:53

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
CDA67541/2	Bach - Steven Isserlis	Bach - Steven Isserlis - The Cello Suites ‎(40xFile, FLAC)	Hyperion	CDA67541/2	Unknown
CDA67541/2	Bach, Steven Isserlis	Bach, Steven Isserlis - The Cello Suites ‎(40xFile, ALAC)	Hyperion	CDA67541/2	Unknown
CDA30001/2	Johann Sebastian Bach - Steven Isserlis	Johann Sebastian Bach - Steven Isserlis - Cello Suites ‎(2xCD, Album, RE)	Hyperion	CDA30001/2	UK	2010

Credits

• Booklet Editor – Tim Parry
• Cello – Steven Isserlis
• Composed By – Johann Sebastian Bach (tracks: 1-01 to 2-12, 2-14 to 2-16)
• Engineer [Recording] – Simon Eadon
• Executive-Producer – Simon Perry
• Liner Notes [English - Ⓒ 2007] – Steven Isserlis
• Liner Notes [French Translation] – Hyperion
• Liner Notes [German Translation] – Renate Wendel
• Photography By [Steven Isserlis] – Graham Topping
• Producer [Recording] – Andrew Keener

Notes

Ⓟ & Ⓒ 2007 Hyperion Records Limited • London • England. (www.hyperion-records.co.uk)
Recorded at Henry Wood Hall, London:4-8 December 2005 (CD1, CD2 tracks 13-16) and 17-19 July 2006 (CD2 tracks 1-12)
Made in Germany. Total Duration: 137:08. Duration CD1: 75:10 and CD2: 61:58.

The 20-page glossy booklet contains a track and credits-list as well as notes in English, French and German.
The booklet and 2 CD's are sheltered by a slim line double jewel case with black tray.

Barcodes

• Barcode (Text): 0 34571 17541 6
• Label Code: LC 7533
• Rights Society: MCPS
• Rights Society (Track 13): Copyricht Control
• Matrix / Runout (CD1 - label and CD mould): CDA67541
• Matrix / Runout (CD2 - label and CD mould): CDA67542
• SPARS Code: DDD

Companies

• Phonographic Copyright (p) – Hyperion Records Limited
• Copyright (c) – Hyperion Records Limited
• Copyright (c) – Steven Isserlis
• Copyright (c) – Graham Topping
• Recorded At – Henry Wood Hall, London

Album

The six Cello Suites, BWV 1007-1012, are suites for unaccompanied cello by Johann Sebastian Bach. They are some of the most frequently performed and recognizable solo compositions ever written for cello. Bach most likely composed them during the period 171723, when he served as Kapellmeister in Köthen. The title given on the cover of the Anna Magdalena Bach manuscript was Suites à Violoncello Solo senza Basso Suites for cello solo without bass. Johann Sebastian Bach 1685-1750 Cello Suites Steven Isserlis cello. Steven Isserlis - Schumann Cello Concerto Op. While anyone interested in the suites - and that should include everyone who loves Bach, everyone who loves cello music, and everyone who loves music - should first hear the classic recordings by Pablo Casals, this collection of the suites, augmented with three different versions of the opening Prelude from three different sources plus an arrangement of the Catalan folk song. Preview, buy, and download songs from the album Bach: Cello Suites, including Cello Suite No. 1 in G Major, BWV 1007: I. Prelude, Cello Suite No. 1 in G Major, BWV 1007: II. Allemande, Cello Suite No. 1 in G Major, BWV 1007: III. Courante, and many more. Buy the album for . Songs start at . Посмотреть сведения об участниках альбома, рецензии, композиции и приобрести альбом File от The Cello Suites на : Her recording of the Cello Suites was the first recording following closely Anna-Magdalena Bach manuscripts with an historical set-up. More info. ANNer Bylsma. 1979: His first recording had a major impact in the interpretation of the Suites, he inspired many cellists to follow his HIP steps. Was he the first cellist to record the Suites on period instrument NO, the first cellist to make this kind of project and recording was Annlies Schmidt, with her 1957 recording of the Suites. She also followed closely the Anna Magdalena Bach Manuscript, playing on guts strings, with a baroque bow, and the 6th Suite on a 5 string cello. Isserlis Bach cello suites. Welcome to Talk Classical - A community covering every aspect of classical music You are currently viewing our boards as a guest which gives you limited access to view most discussions and access our other features. By joining our community you will have access to post topics, upload content and access many other features. Post 1835635 2. The Bach Cello Suites must have been recorded by virtually every great cellist past and present, beginning with Pablo Casals. This new recording by Steven Isserlis must rank among the best, technically and musically. His approach to the Suites is based on a careful analysis of the sources, a study of historical and recent research, and his own instinctive feeling. Bach: The Cello Suites is a recording played by Steven Isserlis on this Hyperion Records 2007. I agree with BBC Radio 3 that claims this recording that this is Some of the Best Bach I have heard since Casals. Listening to Isserlies is pure joy. Back to top. Get in touch. Contact us. Released 2007. Isserlis has based his interpretation on a combination of the earliest four surviving manuscripts, drawing mostly from the Anna Magdalena copy. He also provides a scholarly treat at the end of the suites three extra recordings of the first Prelude, played from the earliest three copies in turn. It is a fascinating insight into the variations of tempo, bowing, and ornamentation presented to each cellist as they decide upon their own interpretation. Along with many cellists, Isserlis feels that the suites arent dance suites alone but have a story behind them