Actress - R.I.P Album

Tracklist

1	N.E.W.	5:28
2	The Lord's Graffiti	3:05
3	Uriel's Black Harp	2:28
4	Caves Of Paradise	4:15
5	Marble Plexus	4:42
6	Tree Of Knowledge	4:09
7	Serpent	3:56
8	Ascending	3:09
9	Shadow From Tartarus	5:26
10	R.I.P.	1:17
11	Glint	0:37
12	Jardin	6:07
13	IWAAD	5:42
14	Holy Water	1:40
15	Raven	5:05

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
HJRLP60	Actress	R.I.P ‎(2xLP, Album)	Honest Jon's Records	HJRLP60	UK	2012
HJRCD60	Actress	R.I.P ‎(15xFile, FLAC, Album)	Honest Jon's Records	HJRCD60	UK	2012
HJRCD60	Actress	R.I.P ‎(CD, Album)	Honest Jon's Records	HJRCD60	UK	2012
50999 9 36325 2 7	Actress	R.I.P. ‎(CD, Album)	Honest Jon's Records	50999 9 36325 2 7	US	2012

Video

Album

is the third studio album by British electronic musician Actress. It was released on 23 April 2012 on Honest Jon's Records. The album placed third in The Wire's annual critics' poll. by Actress, released 28 April 2012 1. Ascending 3. Holy Water 4. Marble Plexus 5. Uriel's Black Harp 6. Jardin 7. Serpent 8. Shadow From Tartarus 9. Tree Of Knowledge 10. Raven 11. Glint 12. Caves Of Paradise 13. The Lord's Graffiti 14. Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Purchasable with gift card. Buy Digital Album. 7 GBP or more. Double Vinyl LP. RecordVinyl Digital Album. Includes unlimited streaming of . via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. ships out within 3 days. Buy RecordVinyl. Покупайте и продавайте винил и компакт-диски, формируйте. The London-based artist's first two albums as Actress, 2008's Hazyville and 2010's Splazsh, sounded like mid-1980s house and techno collaged together and played on a radio from under the freeway. Half of his newest, . doesn't even have beats. Listening to him discuss his process making it- which included reading John Milton, philosophizing about death, and smoking weed- you'd think he was a PhD candidate. is a deliberately uncoordinated album. Rhythms, basslines, and melodies slip in and out of line with each other. Comparatively straightforward, house-oriented tracks like Shadow From Tartarus are situated next to murk and ambience like Tree of Knowledge. Listen free to Actress . Ascending and more. 15 tracks 56:59. It's not the sound that makes the music, though, but the structure of it. The emphasis here, though, is on comparative: Even . s steady 44 tracks sound grimy and deconstructed. A new version of is available, to keep everything running smoothly, please reload the site. Play album. s infrequent flirtations with the. That said, the thrillingly scuffy friction of The Lord's Graffiti - where Actress could steal and redefine Pere Ubu's avant-garage neologism, moving it from garage rock to U. garage - seems to fade in at the perfect moment, at track 13 of 15. Track Listing. 2012 studio album by Actress. Studio album by. 23 April 2012. Critical reception. Aggregate scores. Actress - . Actress isn't your regular techno producer, if you can call him that at all. The founder of Werk Discs has flitted between electro, hip-hop, house and techno over the past eight years, finding something close to a home in the smoke-filled recesses of some lost Underground Resistance bunker. Actress records have always been a bit of a journey, but it's never felt as literal as on . which stumbles and fumbles through the dark, finding occasional pockets of light and life. The record is ordered with remarkable care, starting off slow with the more ambient title track and Ascending before coalescing into something recognizably alive with Marble Plexus. Actress: . Where Hazyville and Splazsh easily submitted to distraction or long passages of singular occupation, shows Actress now fully in control and directing with ease ideas that have previously come together as instances within a much vaguer whole. In this, his third album, his music has significantly improved in its definition: while much of what drew people to his previous work was a willingness to be goaded and surprised by its unpredictability, theres a relative lack of awkwardness in s progression, both among the tracks and in the balance of sounds found within each of them